I am a shy artist. Primarily because I don't get motivation from sharing art publicly. I see so much new art daily online that once I begin thinking about where I fit in the mental fatigue becomes counter productive for me.
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I am a shy artist. Primarily because I don't get motivation from sharing art publicly. I see so much new art daily online that once I begin thinking about where I fit in the mental fatigue becomes counter productive for me.
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Recently I shared an album of hundreds of creations with a friend (and singular art fan) and he asked some questions that I felt were interesting enough to create this post on my process and what it teaches me vs what I am seeking.
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Recently I shared an album of hundreds of creations with a friend (and singular art fan) and he asked some questions that I felt were interesting enough to create this post on my process and what it teaches me vs what I am seeking.
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Specifically I have learned to take ink drawings and create renderings that reveal my actual intention. My digital art goal is to recreate natural details into characters and landscapes that are imagined and deal with my affection for abstraction, deconstruction and humor. 
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Specifically I have learned to take ink drawings and create renderings that reveal my actual intention. My digital art goal is to recreate natural details into characters and landscapes that are imagined and deal with my affection for abstraction, deconstruction and humor. 
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My drawing goals are to be humorous and crafty about how things can be rendered just slightly incorrect to make the viewer see something familiar and recognizable even when its nonsense.  
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My drawing goals are to be humorous and crafty about how things can be rendered just slightly incorrect to make the viewer see something familiar and recognizable even when its nonsense.  
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My process is using 
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My process is using 
https://huggingface.co/spaces/hysts/ControlNet-v1-1
hysts/ControlNet-v1-1
space
resource
https://huggingface.co/spaces/hysts/ControlNet-v1-1
 with Lineart, 50 steps, 14 guidance scale and I give minimal descriptions that are often plain. Example "Really real old dog, plant, and another old dog, with an alligator turtle, posing for a photography portrait". 
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 with Lineart, 50 steps, 14 guidance scale and I give minimal descriptions that are often plain. Example "Really real old dog, plant, and another old dog, with an alligator turtle, posing for a photography portrait". 
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In the past few months I started taking the ControlNet render to 
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In the past few months I started taking the ControlNet render to 
https://huggingface.co/spaces/multimodalart/flux-style-shaping
multimodalart/flux-style-shaping
space
resource
https://huggingface.co/spaces/multimodalart/flux-style-shaping
 and mashing up styles. Here I used a portrait of a Tortise and a dog laying next to each other on a reflective tile floor.
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 and mashing up styles. Here I used a portrait of a Tortise and a dog laying next to each other on a reflective tile floor.
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Last night, I took the Flux output and had it described using 
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Last night, I took the Flux output and had it described using 
https://huggingface.co/spaces/WillemVH/Image_To_Text_Description
WillemVH/Image_To_Text_Description
space
resource
https://huggingface.co/spaces/WillemVH/Image_To_Text_Description
 which was very accurate given the image. 
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 which was very accurate given the image. 
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I then fed the prompt back into 
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I then fed the prompt back into 
https://huggingface.co/spaces/Alpha-VLLM/Lumina-Image-2.0
Alpha-VLLM/Lumina-Image-2.0
space
resource
https://huggingface.co/spaces/Alpha-VLLM/Lumina-Image-2.0
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The last step confirmed why I prefer using sketches to language. One, I am a visual artist therefore I have much better nuance with the drawings than with words. Two, my minds eye looks for the distorted. Three MOR FUN.
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The last step confirmed why I prefer using sketches to language. One, I am a visual artist therefore I have much better nuance with the drawings than with words. Two, my minds eye looks for the distorted. Three MOR FUN.
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I am a shy artist. Primarily because I don't get motivation from sharing art publicly. I see so much new art daily online that once I begin thinking about where I fit in the mental fatigue becomes counter productive for me.

Recently I shared an album of hundreds of creations with a friend (and singular art fan) and he asked some questions that I felt were interesting enough to create this post on my process and what it teaches me vs what I am seeking.

Specifically I have learned to take ink drawings and create renderings that reveal my actual intention. My digital art goal is to recreate natural details into characters and landscapes that are imagined and deal with my affection for abstraction, deconstruction and humor. 

My drawing goals are to be humorous and crafty about how things can be rendered just slightly incorrect to make the viewer see something familiar and recognizable even when its nonsense.  

My process is using https://huggingface.co/spaces/hysts/ControlNet-v1-1 with Lineart, 50 steps, 14 guidance scale and I give minimal descriptions that are often plain. Example "Really real old dog, plant, and another old dog, with an alligator turtle, posing for a photography portrait". 

In the past few months I started taking the ControlNet render to https://huggingface.co/spaces/multimodalart/flux-style-shaping and mashing up styles. Here I used a portrait of a Tortise and a dog laying next to each other on a reflective tile floor.

Last night, I took the Flux output and had it described using https://huggingface.co/spaces/WillemVH/Image_To_Text_Description which was very accurate given the image. 

I then fed the prompt back into https://huggingface.co/spaces/Alpha-VLLM/Lumina-Image-2.0 

The last step confirmed why I prefer using sketches to language. One, I am a visual artist therefore I have much better nuance with the drawings than with words. Two, my minds eye looks for the distorted. Three MOR FUN.




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YaTharThShaRma999 John6666 jtatman 9voltfan2009
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Michael Clark
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9-Volt Fan
9voltfan2009
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