Instruct: Given a question, retrieve relevant passages that can help answer the question.
Query: How much did The Last House on the Left gross?
Craven's directorial debut, the film was made on a modest budget of $87,000, and was filmed in New York City and rural Connecticut in 1971. It was released theatrically in the United States on August 30, 1972, and was a major box office success, grossing over $3 million domestically. Although its confrontational violence resulted in its being heavily censored and sometimes banned in other countries, the film was generally well received by critics.[3] The film was remade under the same title in 2009.
The series began in April 1985 and lasted for twelve issues, ending in March 1986. The close spacing of "Crisis on Infinite Earths" and Marvel's similar crossover "Secret Wars" caused some fans to create conspiracy theories about idea theft. According to writer Steve Gerber, the series "got virtually no promotion ... How many handouts did you see? How many posters did you see in people's windows? How much information was really distributed to the press and how much was gotten just by individual reporters going to Marv Wolfman and ["Crisis" artist] George Pérez?"
House tries to break up Lucas and Cuddy at Thanksgiving dinner. However, Cuddy gives him the wrong address on purpose to stop him from messing up the evening. Afterwards, House breaks into Lucas' home, faking a drunken stupor, tells Lucas about how much he wants to be with Cuddy. Cuddy arrives the next morning at House's apartment, lying about how she and Lucas had split up. Later in the episode, House finds out she lied after she did not accept free tickets he offered her.
According to the report, the "house master" of the brothel received fifty to sixty percent of the women's gross earnings, depending on how much debt they had incurred when they signed their contracts. In an average month a woman would gross about fifteen hundred yen, and hence turn over about seven hundred and fifty to the "master". Their living conditions were relatively good, with food and other material not heavily rationed, but many "masters" charged the women high prices for them.
Most people find it easier to work with gross margin because it directly tells you how much of the sales revenue, or price, is profit. In reference to the two examples above:
Gross and Hill would work out their ideas in detail. Gross would do a draft and Hill would rewrite it. "He did not love creating scripts from scratch; he loved rewriting." However, by this stage Gross and Hill had worked together so closely Gross says "I began to develop a strong sense for knowing how to sound like he did."
During his life, Gross did much to establish several institutions regarding criminology. Gross mainly did this by reiterating the practice of criminal forensics. He taught and developed several institutions that furthered the influence of the field of criminology. Throughout the years, Hans taught and engaged in constructive debate while professor at Chernivtsi University (1897 to 1902), Prague University (1902 to 1905), and the University of Graz (1905 to 1915). Later in 1898, he established the Institute of Criminology of Graz. On August 1898, he began to teach criminal law in which he presented the field of criminalities. However, many people opposed this idea developing into a study, claiming that it did not serve true beneficial value except to those involved in the justice system. Despite opposing views, Gross established the field of criminalities, branding him forever as the “Founding Father” of criminal profiling. 
Whether Germain, Howe, and Burgoyne had the same expectations about the degree to which Howe was supposed to support the invasion from Quebec is also unclear. What is clear is that Germain either left his generals with too much latitude, or without a clearly defined overall strategy. In March 1777 Germain had approved of Howe's Philadelphia expedition and did not include any express orders for Howe to go to Albany. Yet Germain also sent Howe a copy of his instructions to Carleton which plainly stated that the northern army was to make a junction with Howe's army at Albany. In a letter from Germain to Howe dated May 18, 1777 he made clear that the Philadelphia expedition should "be executed in time for you to co-operate with the army ordered to proceed from Canada and put itself under your command." This last letter, however, was not received by Howe until after he had departed New York for the Chesapeake. To attack Philadelphia Howe could either have moved overland through New Jersey or by sea via the Delaware Bay, both options would have kept him a position to aid Burgoyne if necessary. The final route he took, through the Chesapeake Bay, was immensely time-consuming and left him wholly unable to assist Burgoyne as Germain had envisioned. The decision was so difficult to understand that Howe's more hostile critics accused him of deliberate treachery.
In its opening weekend, the film grossed $16,007,426, finishing fourth at the box office behind "Clash of the Titans" ($61,235,105), "Why Did I Get Married Too?" ($29,289,537) and "How to Train Your Dragon" ($29,010,044).
On its opening day, The Last House on the Left grossed $5,630,345,[15] on 2,800 screens across 2,402 theaters,[16] putting it slightly ahead of Watchmen, the previous weekend's top film, with approximately $5,304,344.[17] From March 13 - 15, The Last House on the Left took in an additional $5,318,215 and $3,170,125, respectively, to round out its opening weekend with $14,118,685.[15] By comparison, the 1972 original earned an estimated $3.1 million, in unadjusted dollars, during its entire box office run.[18] Adjusting for inflation, that would be approximately $16,468,225 in 2009.[19] As of August 18, 2009 the film has grossed $45,286,226 worldwide.[2]
Robert Whyte, pseudonymous author of the "1847 Famine Ship Diary: The Journey of a Coffin Ship", described how on arrival at Grosse Isle the Irish emigrant passengers on the "Ajax" dressed in their best clothes and helped the crew to clean the ship, expecting to be sent either to hospital or on to Quebec after their long voyage. In fact, the doctor inspected them only briefly and did not return for several days. By mid-summer doctors were examining their charges very perfunctorily, allowing them to walk past and examining the tongues of any who looked feverish. In this way, many people with latent fever were allowed to pass as healthy, only to succumb to their sickness once they had left Grosse Isle.
In its original Hong Kong theatrical run, "Dragon Lord" grossed HK $17,936,344 (). The film did not make as much as it was expected to in Hong Kong, but was a big hit in Japan. It was 1982's ninth highest-grossing foreign film in Japan, where it grossed () in box office revenue.
Michigan's 2nd House of Representatives district (also referred to as Michigan's 2nd House district) is a legislative district within the Michigan House of Representatives located in the northeastern portion of Wayne County, Michigan, including much of Detroit's East Side and the Cities of Grosse Pointe Farms, Grosse Pointe, and Grosse Pointe Park. The district was created in 1965, when the Michigan House of Representatives district naming scheme changed from a county-based system to a numerical one.
Authorities are divided on the place of these last houses designed by Griffin in Australia. To Peter Harrison (1995), they "did not afford Griffin much satisfaction...far removed from the domestic retreats in which he delighted." A more sympathetic estimate is in the Powerhouse Museum volume: 'although designed at the highpoint of Griffin's Steiner phase and incorporating some Steiner motifs, [the Eric Pratten House] is in fact a reprise of the central design problem of the Griffins' Chicago years: how to create a radical house for a conservative client.'.
The slow withdrawal and narrow roads kept the last of the Confederate force from reaching Five Forks until midmorning. When the Confederates reached Five Forks, they began to improve the trenches and fortifications, including establishing a return or refusal of the line running north of the left or eastern side of their trenches. While attention was given to improving the refused left flank, Pickett did not have the earthwork line that had been initially constructed when his men had reached Five Forks much improved when his men returned from Dinwiddie Court House. Not only did the line consist only of slim pine logs with a shallow ditch in front but Pickett's disposition of forces was poor. The cavalry in particular were placed in wooded areas inundated by heavy streams so that they could only move to the front by a narrow road.
The film was released on March 13, 2009. The Last House on the Left was met with mixed reviews from critics. Audience opinion ranked the film at a "B" level, from a scale of "A to F"; the film would ultimately gross $45,286,228 worldwide.
Although it did not gross as much as the original, the sequel grossed $3.8 million during its theatrical run in the United States. It is the last installment in the series to be released theatrically, and is followed by "Critters 3" in 1991.
Gross Margin Return on Inventory Investment (GMROII) is a ratio in microeconomics that describes a seller's return on every unit of currency spent on inventory. It is one way to determine how profitable the seller's inventory is, and describes the relationship between the profit earned from total sales, and the amount invested in the inventory sold. Generally for a seller, the higher the GMROII the better.
Since the inventory is a very widely ranging factor in a seller's investment in working capital, it is important for the seller to know how much he might expect to gain from it. The GMROII answers the question "for each unit of average inventory held at cost, how many units of currency of gross profit I generated in one year?" GMROII is traditionally calculated by using one year's gross profit against the average of 12 or 13 units of inventory at cost. GMROII may vary depending on which segment we are analyzing (Women Apparel, Toys, Home, Sport Ware, etc.), but a rule of thumb is that a GMROII of typical retailer is above $3.0.
There were several celebrity guests appearances featured during this series. Carson Kressley arrived and gave the housemates a makeover to promote his new show, "How to Look Good Naked". He stayed for only several hours. Former housemate Rima returned briefly late in the season. Rima was originally a housemate, but left after breaking her leg on the first "Friday Night Live" games. She returned on Day 63 with a special task of telling the housemates that there was a mole among them. She left on Day 66 after a four-day return.
Pamela Anderson entered as a guest on Day 73, then returned the following day for a special task. She did not stay in the house overnight. When asked how much she was paid to do the show, she said, "Much more than I am worth" and "I don't want to say how much but it is a lot."
The day after her first "Big Brother" appearance, Anderson took part in a campaign against alleged KFC cruelty outside Southport KFC Restaurant, Gold Coast, where she hand-delivered a letter to the manager opposing expressing her concerns. Anderson's appearance generated the highest ratings of the entire season to that time.
The Robert H. Sunday House is located in Marshalltown, Iowa, United States. It was designed by Frank Lloyd Wright in the Usonian style, and was listed on the National Register of Historic Places in 1988. Initially the Sunday's choose the Usonian Automatic, a natural concrete block model, for their home. When it provided unworkable, Wright sent the plans for this house. In style and materials it is very similar to the 1953 Usonian Exhibition House. It was the sixth of seven houses designed by Wright and built in this style in Iowa. Sunday, who owned Marshall Lumber in Marshalltown, acted as his own general contractor. In fact, he and his wife did much of the work themselves. It is also believed to be last of this style built in brick. John H. Howe, a Wright assistant who supervised the initial construction, designed an addition to this house in 1970 that conforms seamlessly with the original. It includes the family room, family room terrace, and the dining room. The original house followed an "L" shaped plan, and with the addition it is now a "T" shaped plan. Howe had previously designed (1964) the building for Sunday's business.
George Armitage later claimed, "I did as much as anyone did in terms of writing", but did not seek credit.
It is unknown how far into production the game was when Left Field left the project, or just how much, if any, of Left Field's work is present in the final game. It has been speculated that Left Field's version of the game had a much more arcade-like feel than its successor.
"How to Train Your Dragon 2" grossed $177 million in North America, and $441.9 million in other countries, for a worldwide total of $618.9 million. The film is the second-highest-grossing animated film of 2014, behind "Big Hero 6", and the twelfth-highest-grossing film of the year in any genre. While "How to Train Your Dragon 2" only earned $177 million at the US box office, compared to $217 million for its predecessor, it performed much better at the international box office, earning $438 million to "How to Train Your Dragon"'s $277 million. Calculating in all expenses, "Deadline Hollywood" estimated that the film made a profit of $107.3 million.
Contents of the paper were a New Left/hippie mélange of underground politics, psychedelic graphics, drug culture, bulletins from the Liberation News Service, and rock music reviews, with much coverage of rock festivals in the Pacific Northwest including the Sky River Rock Festivals and concerts at Eagles Auditorium. Frequent contributors included Tom Robbins, while Walt Crowley was responsible for much of the paper's freewheeling design. The Blue Moon Tavern and the Last Exit on Brooklyn coffee house functioned as the paper's unofficial hangouts. In 1970 Robert Glessing reported that although the paper did not pay salaries it was providing food and housing for 11 full-time staffers.
Thalberg, known as a "boy genius", was held in high regard inside and outside Hollywood, but died at the age of 37 in 1936. He appeared to be able to divine successful films continuously, knowing in his head how much a certain kind of picture would gross, which, in turn, told him how much could be spent on its production and still have a profitable venture. Monroe Stahr, played with reticent passion by Robert De Niro (whose lean, dark good looks seem an idealization of those of Thalberg) has the same knack, but eventually becomes a casualty of the "new" Hollywood of Wall Street investors, bankers and union organizers that Fitzgerald could see in the future. Thalberg died before being overtaken by defeat, while in the film, Stahr does not.