Instruct: Given a question, retrieve passages that answer the question.
Query: How did Paul I of Russia die?
Paul I (Russian: Па́вел I Петро́вич; Pavel Petrovich) (1 October[O.S. 20 September]1754 – 23 March[O.S. 11 March]1801) reigned as Emperor of Russia between 1796 and 1801. Officially, he was the only son of Peter III and Catherine the Great, though Catherine hinted that he was fathered by her lover Sergei Saltykov, who also had Romanov blood, being a descendant of the first Romanov tsar's sister, Tatiana Feodorovna Romanova.[1]
After the third partition of the Polish–Lithuanian Commonwealth in 1795, the former territories of the Grand Duchy of Lithuania were divided between the Vilna Governorate and the Slonim Governorate by Catherine II of Russia. After her death just a year later, her son Paul I of Russia became the Emperor of Russia. He reversed or modified many of his mother's policies and decisions, including administrative divisions. On December 12, 1796, the two governorates were merged into one called the Litva Governorate with capital in Vilna. In 1801, Paul I was assassinated and the Litva Governorate was divided into the Litva-Vilna Governorate and the Litva-Grodno Governorate by his successor, Alexander I of Russia.
In 1797, Paul I of Russia decreed that corvee labor was limited to 3 days a week, and never on Sunday, but this law was not enforced. Beginning in 1801, Alexander I of Russia appointed a committee to study possible emancipation, but its only effect was to prohibit the sale of serfs without their families. Beginning in 1825, Nicholas I of Russia expressed his desire for emancipation on many occasions, and even improved the lives of serfs on state properties, but did not change the condition of serfs on private estates.
For You I Die is a 1947 American film noir directed by John Reinhardt and featuring Cathy Downs, Paul Langton, Mischa Auer and Roman Bohnen.
1979 Reassessment of Paul: Hugh (Ed) Paul I: A reassessment of His Life and Reign, University Center for International Studies, University of Pittsburgh, 1979 For Paul's early life: K. Waliszewski, Autour d'un trone (Paris, 1894), or the English translation, The Story of a Throne (London, 1895), and P. Morane, Paul I. de Russie avant l'avenement (Paris, 1907) For Paul's reign: T. Schiemann, Geschichte Russlands unter Nikolaus I (Berlin, 1904), vol. i. and Die Ermordung Pauls, by the same author (Berlin, 1902) Other readings: (in Russian) V.V.Uzdenikov. Monety Rossiyi XVIII-nachala XX veka (Russian coinage from 18th to the beginning of 20th century). Moscow – 1994. ISBN5-87613-001-X Palmer, Elena."Peter III. Der Prinz von Holstein". Sutton, Germany, 2005 (ISBN3-89702-788-7).
Judge Pressler is a past president of the Council for National Policy, which in 2009 presented him with its Ronald Reagan Award for Lifetime Achievement. In his 1999 memoir, "A Hill on Which to Die: One Southern Baptist's Journey," Pressler recounts how he first met Reagan at a meeting in Dallas in 1980 of Ed McAteer's Religious Roundtable, a part of the newly organized Christian right groups:
At the urging of some friends, I decided to go [to the briefing in Dallas]. I did not expect much, but when I arrived, I found a packed arena, full of enthusiastic individuals hearing great speakers. I went to the phone after the first few hours, called Nancy [his wife], and said, 'Get a baby-sitter for the children. You must come up here and hear what is going on.' She flew to Dallas, and we had the opportunity to attend together. This was the first time either of us had met Ronald Reagan. [Dallas businesswoman] Mary Crowley invited us to a reception for him at the Hyatt. Jimmy Carter had been invited to speak but did not attend.
At a big party where Rasputin is guest of honor, he recognizes the servant who has been bringing him his favorite traditional Tobolsk cakes all night; he used to work for Paul. Immediately suspicious, Rasputin has the house searched. They find Paul and Dr. Remezov. Rasputin is eager to dispatch his most implacable enemy himself; he takes Paul into the cellar at gunpoint. Once they are alone, Paul taunts Rasputin, telling him the cakes were filled with poison. He then leaps at Rasputin and beats him into unconsciousness. However, Rasputin refuses to die. Covered with blood, he rises and walks toward Paul, shouting that if he dies, Russia will die. Paul finally drags him out into the snow and throws him into the river to drown.
Wall described how she felt after she was arrested:I could not understand what they were saying to me at first. When they said "rape", I said that I was never raped. And it did not make sense. Then, they said that it happened in St. Michael's in Coiscéim. And it still did not make sense to me. And then they said, Regina Walsh ... I was still turning around in my head how this could be. And then they mentioned Paul [McCabe]. That did not make sense at all to me. And then, when they told me what was supposed to have happened, I said, "Look, I could not think like that, never mind do a thing like that" ... It was a full 11 months afterwards that I got the book of evidence.
Through his grandchildren, Paul I of Russia is an ancestor of many European royals.Paul I, with his wife Maria Feodorovna (Sophie Dorothea of Württemberg) had the following grandchildren:
Catherine the Great died in 1796, and Paul became Emperor. He decided to enlarge Pavlovsk into a palace suitable for a royal residence, adding two new wings on either side of the main building, and a church attached to the south wing. Between 1797 and 1799, he lavished money and the finest materials on Brenna's interiors. The reign of Emperor Paul did not last long. He alienated the nobles, and became increasingly fearful of conspiracies. His fears were justified; the Emperor Paul was murdered by members of his court in 1801, and his son Alexander became Emperor. Pavlovsk Palace became the residence of the Empress Maria Feodorovna (1759–1828), the mother of both Emperor Alexander I of Russia and Emperor Nicholas I of Russia. 
Speaking to film music fan site Maintitles, Arnold said he wanted "You Know My Name" to act as a substitute for the James Bond theme, to represent Bond's immaturity. The song's main notes are played throughout the film, and the classic theme only plays during the end credits to signal the end of his character arc. Arnold felt the song should tie closer to the score, and have the "DNA of the James Bond music". The musical arrangement tried to create "the right blend of rock aggression and sophisticated instrumentation", with Cornell describing it as "more uptempo and a little more aggressive than any other Bond theme has been, maybe since Paul McCartney ['s 'Live and Let Die']".
Cornell stated that the biggest two influences on "You Know My Name" were Tom Jones, who performed the theme for "Thunderball", and Paul McCartney, who composed and performed the theme for "Live and Let Die". "I decided that I was going to sing it like Tom Jones, in that crooning style. I wanted people to hear my voice," Cornell said. "And 'Live and Let Die' is a fantastic song. Paul McCartney wouldn't have written it if not for that movie. I [also] wanted to write a song in its own universe. I knew I'd never have it again — a big orchestra — so I wanted to have fun with it." Cornell did not put the film's title in the lyrics, because he "couldn't imagine it fitting into a song lyric that would come out of my mouth". And he jokingly stated ""Casino Royale" didn't make a good rock title, but I would write a song named "Octopussy" just for fun".
Family of Paul I of Russia, by Gerhard von Kügelgen Pavel Petrovich as a Child (1761), by Fedor Rokotov The rooms of Gatchina palace where Grand Duke Paul spent his youth State Arms under Emperor Paul, incorporating the cross of the Order of Malta, 1799
Other monarchies assign ordinals to monarchs even if they are the only ones of their name. This is a more recent invention and "appears" to have been done for the first time when Francis I of France issued testoons (silver coins) bearing the legend FRANCISCVS I DE. GR. FRANCORV. REX. This currently is the regular practice in Spain and Monaco (at least for Prince Albert I, as Princess Louise Hippolyte, who reigned 150 years earlier, does not appear to have used an ordinal). It was also applied in Brazil, Greece, Italy, Mexico, Montenegro, Portugal (where Kings Joseph, Louis and Charles are usually referred to as "Joseph I", "Louis I" and "Charles I", although there haven't been any Joseph II, Louis II or Charles II yet, while Kings Denis, Edward, Sebastian and Henry are usually referred without the ordinal). The ordinal for King Juan Carlos I of Spain is used in both Spanish and English, but he is sometimes simply called King Juan Carlos of Spain in English. In Russia, use of "The First" ordinal started with Paul I of Russia. Before him, neither Anna of Russia nor Elizabeth of Russia had the "I" ordinal. In Ethiopia, Emperor Haile Selassie used the "I" ordinal (, "qädamawi"), although previous Ethiopian monarchs did not use it, and they are not referred as "the first" unless there were successors of the same name.
"And When I Die" was one of the first songs recorded by Nyro, when she was 17 years old. She then sold the song to folk group Peter, Paul and Mary for $5000, who then recorded the song for their sixth studio album "The Peter, Paul and Mary Album".
In 1798, however, Bonaparte captured Malta and grand master Ferdinand von Hompesch zu Bolheim abdicated. Tommasi and the other knights were forced to leave the island and were scattered across Europe. An important section of the order regrouped in Russia and chose Paul I of Russia as Grand Master, but the pope did not recognise this election since he felt that the order could not be led by a married Russian Orthodox man who had never belonged to the order. On Paul's death, his son Alexander I of Russia decided to end this irregular situation and refused to be Grand Master. In the meantime the British had captured Malta and the Allied nations had agreed to re-establish the order, still dispersed across Europe and Russia and so unable to gather for a general assembly. The election of a new Grand Master was thus (for this instance only) deferred to the pope (then pope Pius VII), with each priory presenting a candidate to him - Tommasi (then in exile in Messina) was one of these candidates.
Pavel Kridener was born on January 31, 1784, in St. Petersburg, Russia. He was the son of the famous Barbara von Krüdener, a Baltic German mystic and author. His father was Baron Bourkhardt-Alexis-Constantine Krüdener, with whom Barbara did not have a good relationship. Pavel was baptized Paul in honor of Grand Duke (later Emperor) Paul I of Russia (Russian: Па́вел I Петро́вич), his godfather. His father was appointed by Catherine the Great as Ambassador to the Republic of Venice in 1785, and Pavel spent the first two years of his life there. He subsequently followed his father's assignments in Munich until 1787, Copenhagen until 1794 and finally Madrid until 1800. His father was then appointed by Paul I as Ambassador to Prussia, under Frederick William III of Prussia. Friedrich Ancillon, a prominent Prussian historian, became his tutor.
In 1976 I was living on food stamps and in subsidized housing, plus receiving free daycare for Ginia under Title XX as I made my way back into the job market. The COSMEP conference was in Austin, Texas that year; and Paul organized it with other Austin area writers and editors. This time I went alone (Terry took the children to the West Coast to see his parents). It was a lively, warm, funny conference; I remember that we all broke up laughing when I described our new van project and told the assembled editors and writers that we’d all get to know each other better if we ate and slept together. There was also a woman there urging us to learn accounting so we could turn our liabilities into assets. I can’t say that I ever learned exactly how this worked, though I did learn how to keep books. But Paul revealed his own economic approach to book publishing when he claimed it only cost $.60 a book, and his wife, Foster, immediately contradicted him. His reply was that he had to believe it cost $.60 a book in order to keep publishing. I also remember vividly Len Randolph holding up a copy of the cover of Chrome Grass, talking about this new press, Carolina Wren, and how strange that felt, and how good. It was real. I was a publisher!
Haukeil, Henry A. and Tyrrell, H., The History of Russia from the foundation of the Empire to the War with Turkey in 1877–78, Volume 1 (London: The London Printing and Publishing Company, Limited, 1854) Bernhard A. Macek (2012) Haydn, Mozart und die Großfürstin: Eine Studie zur Uraufführung der "Russischen Quartette" op. 33 in den Kaiserappartements der Wiener Hofburg. (Wien: Schloß Schönbrunn Kultur- und Betriebsges.m.b.H.) ISBN3-901568-72-7. Massie, Robert K., Catherine the Great: Portrait of a Woman, (Random House) New York, NY, 2011. McGrew, Roderick E. (1979) "Paul I and the Knights of Malta," in Paul I: A Reassessment of His Life and Reign, ed. Hugh Ragsdale (Pittsburgh: University Center for International Studies, University of Pittsburgh) ISBN0-916002-28-4, pp.44 ff. McGrew, Roderick E. (1992), Paul I of Russia. (Oxford: Clarendon Press) ISBN0-19-822567-9 Sorokin, Iurii Alekseevich (1996). in The Emperors and Empresses of Russia: Rediscovering the Romanovs, ed. Donald J. Raleigh (Armonk, NY: M.E. Sharpe) ISBN1-56324-759-3.
How like an angel came I down! 
How bright are all things here! 
When first among His works I did appear
O how their glory me did crown!
The world resembled His Eternity
In which my soul did walk;
And every thing that I did see
Did with me talk.
The Catholic Counter-Reformation group, founded by theologian , takes the position that the released text is the complete Third Secret, but refers to Pope John Paul I rather than John Paul II, pointing out that the latter, after all, did not die when he was attacked, while the bishop in the Third Secret did. John Paul I had met Lúcia Santos while he was Patriarch of Venice, and was deeply moved by the experience. In a letter to a colleague after his election, he vowed to perform the Consecration of Russia which Lúcia said Mary had asked for.
In an interview, Daron Malakian explained, "The song is about how we are regarded differently depending on how we pass. Everyone deserves to die. Like, if I were now to die from drug abuse, they might say I deserved it because I abused dangerous drugs. Hence the line, 'I cry when angels deserve to die'.
The lyric passages '"Father, into your hands I commend my spirit"' and '"why have you forsaken me?"' are a reference to Jesus' death on the cross, as, according to the Gospels, it was one of the seven things Jesus said while dying."
As a non-paying patient, in the uniform nightshirt, you were primarily a "specimen", a thing I did not resent but could never quite get used to.
He is also a theater actor, performing in Jean-Claude Brisville's "The Blue Villa" at Espace Cardin theatre (Paris) in 1986. He then met director Jean Marais at the Théâtre des Bouffes-Parisiens to don 'Hans' costume in Jean Cocteau's play Bacchus in 1988. Xavier later said about Jean Marais, that "I did not know how to die and (he) taught me to die on stage".
Even before Tom Mankiewicz had finished writing the screenplay to "Live and Let Die," producers Harry Saltzman and Albert R. Broccoli invited Paul McCartney to write the theme song. McCartney asked to be sent a copy of Ian Fleming's novel. "I read it and thought it was pretty good. That afternoon I wrote the song and went in the next week and did it ... It was a job of work for me in a way because writing a song around a title like that's not the easiest thing going."
"We haven’t done much touring this year. Last year we only did about three tours or so. We did one two-month European tour and one month in Europe. We did a couple of New Zealand tours and I think we only went to Australia twice last year. I think we only played Brisbane once and that was with Wolfmother." - Andrew Wilson, April 2010