Instruct: Given a question, retrieve passages that can help answer the question.
Query: What years did Moliere live?
Jean-Baptiste Poquelin, known by his stage name Molière (/mɒlˈjɛər,moʊl-/;[1] French:[mɔ.ljɛːʁ]; 15 January 1622–17 February 1673), was a French playwright, actor and poet, widely regarded as one of the greatest writers in the French language and universal literature. His extant works includes comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today.[2] His influence is such that the French language itself is often referred to as the "language of Molière"[3][4].
Drugs were a major problem during the show' first five years. "The value system that was around there was, as long as people showed up on time, did their job, it was nobody's business what they did in their bedroom or in their lives. That value system turned out to be wrong," Michaels later said. Aykroyd said that "The cocaine was a problem. Not for me, it was never my favorite... but it was around a lot, and it was affecting the work, the performance, the quality of the scripts... wasting time, and that was bad."
"We recorded these songs on the road during March 2004. All it took was our own pro-tools recording rig, a bunch of dodgy cables, gaffa tape and some plastic sheeting. Brother Steve Gurney did the live sound (as he has for nearly four glorious years) and it was my job to sift through it all and do some rough mixes for this release, which I did in one day in our South London rehearsal room. That is all it took, I did not 'fix' anything using the wonders of modern technology. No drums were moved and no vocals were tuned which, believe me, is a rarity nowadays. What you hear is what you get. Enjoy...""
The play premiered on 16 February 1936 and enjoyed huge success. But on 9 March the article "Glamorous on the Surface, False Beneath" appeared in "Pravda" and "Moliere" was banned, after just seven sold out performances. In October that year Bulgakov left the Moscow Art Theatre calling it in his diary "the graveyard of my plays" and referring to it as "the theatre where "Moliere" had been destroyed" in a letter to his friend Vikenty Veresayev. 
The main bronze sculpture, showing Moliere seated under a portico under an imposing arch, is by Bernard-Gabriel Seurre (1795–1875) and cast by the fonderie Eck et Durand. Under him is an inscription flanked by two marble female sculptures by Jean-Jacques Pradier (1792–1852), 'Serious Comedy' and 'Light Comedy' - each holds a scroll listing Moliere's works. Right at the bottom are lion masks, from which the water pours into a semi-circular basin. A commemorative medal for the fountain's inauguration was designed by François Augustin Caunois in 1844 - an example of it is in the musée Carnavalet (ND 0367).
The cabaret was the ancestor of the restaurant, which did not appear until the 18th century. Unlike a tavern, which served wine by the pot without a meal, a cabaret only served wine accompanied by a meal, served on a tablecloth. Customers might sing if they had drunk enough wine, but in this era cabarets did not have formal programs of entertainment. They were popular meeting-places for Parisian artists and writers; La Fontaine, Moliere and Racine frequented the Mouton Blanc on rue du Vieux-Colombier, and later the Croix de Lorraine on the modern rue de Bourg-Tibourg.
They were very well known for their theatrical trademark of incorporating what they learned under Jacques Lecoq into the works of Moliere, Shakespeare and D’Artagnan. They would also use a rather inventive style of mise en scene in shows, as well as comedic acting very similar to Charlie Chaplin, Marcel Marceau and Commedia dell’arte. Epp explained their approach for producing shows saying, "We dissect the body in its movement, power and playfulness, and glean from that ways to apply that physicality to whatever material we're working with, to galvanize the role and find what's pertinent to a contemporary audience."
Estimates indicate she may have earned at least US$200,000 per year. She said that she was "just trying to make a living like everyone else." Betterly publicly attacked those who were critical of her practices, “I have a beef against what I consider hate groups that are trying to shut down commercial e-mail” and referred to what she did as "a win-win situation". To those who objected to what she did for a living she said, "I don't really care. As long as I'm not breaking any laws, you don't have to love me or like what I do for a living."
Garbage released "One Mile High...live" as a live document to mark the end of their fifth world tour, and their first since reforming the year prior. The band had never released a live video in the career. The Denver show was chosen to be filmed due to considerations such as fanbase, venue size, and the fact that Garbage were headlining. Butch Vig later explained, "It's a very honest representation of what we sound like live. As a producer, I've seen a lot of bands release live DVDs and what they do is they go back in the studio and re-record everything and make it sound perfect. We did not do that. We left it very pure. It's what we sound like live. You hear little mistakes and things in the set that happen any night because it's a live environment." Vig added that the band felt that doing a show with lasers and special effects, or special guest vocalists would misrepresent the band: "It's just Garbage on stage playing our songs. That's the DVD we wanted to put out." Garbage also shot backstage documentary footage, as well as recorded audio from various shows across the tour, however this was not used on "One Mile High...live".
Mendes and Cabello's first televised performance of "I Know What You Did Last Summer" was on "Live with Kelly and Michael" on November 20, 2015. They also performed the song on "The Late Late Show with James Corden" on November 24, 2015, and at "Pitbull's New Year's Revolution" on December 31, 2015 in Miami, Florida. Mendes and Cabello performed the track again on "The Tonight Show Starring Jimmy Fallon" on January 4, 2016.
"We sat around the table and I did more thinking than I had ever done before," St. John says in a film, many years later. "I realized that I had been born into a group that had been doing this sort of thing for 2,000 years and therefore had to bear some of the responsibility... for what had happened. They were Christians. They sang Christian hymns as they committed these atrocities. And so I promised myself that if I lived out what was happening in Rumania, if I lived out World War II, I would live out my life trying to atone for the sins of my group... for the atrocities committed in Bucharest by men born Christian and presumably exposed to Christian precepts they had so barbarically violated".
Lupica and Goldman had been friends for thirty years when Lupica suggested to Goldman they collaborate on a book together, from his point of view and Goldman's point of view. Goldman:
I wanted to be a sports columnist when I was a kid and then I learned more about what they did for a living and I decided I didn't want to do it. You have to go see all that shit. It's fun to go to a ball game occasionally. What was great, the year I did the book with Lupica, was I had press passes so I could go sit with all those people whose columns I read and watch a baseball game or a football game or a basketball game.
Goldman says they would do alternate chapters. "I would eventually show him what I had and he would show me what he had but for the most part, we kept away from each other. We'd talk all the time."
Principal castSupporting castIn 2012, Triptych Pictures producer Kristian Moliere and Helen Bowden of Matchbox Pictures approached the family of writer Kenneth Cook on the possibility of a televised adaptation of his 1961 novel "Wake in Fright". Although the response was enthusiastic, the pair was informed that they would only be allowed to begin production once they had found the option for the original 1971 film version - if the deal stated that the adaptation rights were owned by a single entity in perpetuity, Moliere and Bowden would not be allowed to proceed with a series. The search for the option took three years, and eventually resulted in a copy being uncovered at the Estate of Dirk Bogarde (who had originally planned to produce an adaptation in 1963) in Paris, which indicated that the option only referred to a film version, allowing Moliere and Bowden - who had left Matchbox and co-founded Lingo Pictures with Jason Stephens of FremantleMedia Australia - to enter active development by the end of 2015. By this time, Lingo Pictures had also entered a co-production deal for two series with Mark and Carl Fennessy of Endemol Shine Australia, and "Wake in Fright" was decided as the first of those two productions. Both would also receive international distribution through Endemol Shine International. The series was officially announced on September 6, 2016, with Kriv Stenders being revealed as director.
"What Katy Did" was followed by four sequels: "What Katy Did at School" in which Katy and Clover attend the fictional Hillsover School (set in Hanover, New Hampshire); "What Katy Did Next", in which a new friend of Katy's takes her on a once-in-a-lifetime trip to Europe; "Clover", in which Katy is married and Clover accompanies her brother Phil to Colorado after he falls ill; and "In the High Valley", which shows the lives of a handful of young people living in the High Valley in Colorado, including Clover, Elsie and their husbands.
The most important parts of the survey are analysis and evaluation. The types of questions that archaeologist often ask of survey data include: what is the evidence for first occupation of an area; when was this area occupied; how are sites distributed; where are sites located; what evidence is there for a settlement hierarchy; what sites are contemporary with each other; how has the modern landscape interfered with the visibility of archaeological remains; what sorts of activities can be recognized (e.g. dwellings, tombs, field systems); how many people lived in this area at any given time or how did population density change over time; why did people choose to live where they did; how has the landscape changed over time; what changes in settlement patterns have there been? However, answering such questions depends on the quality of the evidence, which is why it is important to evaluate the effectiveness and thoroughness of the survey or surveys that contribute that evidence.
In 2006 he portrayed Él in the drama "Los ojos abiertos de ella", where he shared roles with the leading lady of Italian origin Attilia Boschetti. Then came the comedy "El enfermo imaginario" by Moliere, where he completed two totally opposite characters: Tomas Descompuestus (young and handsome boyfriend of the daughter of Argan) and Mr. Florido (dirty old apothecary of the time) directed by Ruth Escudero. Towards the end of that year, he premiered the drama "Death of a Salesman" of Arthur Miller in the CCPUC (cultural center Catholic University of Peru), where did the character of Uncle Ben.
The Living End's second album, "Roll On", was recorded during July 2000 with Nick Launay (Midnight Oil, Models, Silverchair) producing and appeared in November that year. It peaked at No. 8 on the ARIA Albums Chart and reached the top 40 in New Zealand. Although "Roll On" was a more creative work, Nimmervoll mentioned that they had "broadened their musical scope while keeping in tact what made them unique - the instrumentation and the socially-aware lyrics". The album did not achieve the status of their earlier album as it was certified platinum for shipment of 70,000 copies. Despite this, fans consider it to be as strong as the self-titled album; "[it's] an absolute scorcher! That's what years of live honing can do for a band that was already white-hot".
Now, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, "To hell with them." It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, "What do you mean, you won't stand still when I take your picture?" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...
What Katy Did is an 1872 children's book written by Sarah Chauncey Woolsey under her pen name Susan Coolidge. It follows the adventures of a twelve-year-old American girl, Katy Carr, and her family who live in the fictional lakeside Ohio town of Burnet in the 1860s. Katy is a tall untidy tomboy, forever getting into scrapes but wishing to be beautiful and beloved. When a terrible accident makes her an invalid, her illness and four-year recovery gradually teach her to be as good and kind as she has always wanted.
Tolstoy's examples: he mentions, with many qualifiers, the works of Cervantes, Dickens, Moliere, Gogol, and Pushkin, comparing all of these unfavourably to the story of Joseph.
In music he commends a violin aria of Bach, the E-flat major nocturne of Chopin, and "selected passages" from Schubert, Haydn, Chopin, and Mozart. He also speaks briefly of genre paintings and landscapes.
In 1661, Moliere moved his company into the theater built by Cardinal Richelieu at the Palais-Royal. After the death of Moliere in 1673, the composer Jean-Baptiste Lully expelled Moliere's actors from the theater and used it for performances of operas. Chased from their home, the actors of Moliere moved to a different theater, called La Couteillle, on the modern rue Jacques-Callot, where they merged with their old rivals, the company of the Hôtel de Bourgogne. In 1680, the new company was officially chartered by the King as the "Comédiens de Roi", which became known as the Comédie-Française. In 1689, they were forced to depart because of complaints that the actors were a bad influence on the neighboring noble students of the Collège des Quatre-Nations. They moved further south on the left bank to the modern rue de l'Ancienne-Comédie, where they remained until 1770, before moving back to their present home at the Palais-Royal between 1786 and 1790.
Sylvie Drake of the Los Angeles Times said of the 1991 production, " What we do know is that (Paul) Lazarus has created a pleasant surprise: a chamber musical that's something of a mix of Porter, Moliere and Georges Feydeau, based on an urbane drawing-room farce with a French-Viennese flavor...It is classy, intimate, happy, with terrific music and a cast of six."
Throughout the late 1960s Milton released a number of moderately successful singles, but did not issue a further album until 1969, with "Grits Ain't Groceries" featuring his hit of the same name, as well as "Just a Little Bit" and "Baby, I Love You". With the death of Leonard Chess the same year, Milton's distributor, Checker Records fell into disarray, and Milton joined the Stax label two years later. Adding complex orchestration to his works, Milton scored hits with "That's What Love Will Make You Do" and "What It Is" from his live album, "What It Is: Live at Montreux". He appeared in the documentary film, "Wattstax", which was released in 1973. Stax, however, had been losing money since late in the previous decade and was forced into bankruptcy in 1975.
What We Did Last Summer – Robbie Williams: Live at Knebworth is a live DVD by Robbie Williams, recorded between 1–3 August 2003 at Knebworth, England as part of the Weekends of Mass Distraction Tour, the second last venue on the first leg of the tour. 
Giroud was born to immigrant Sephardic Turkish Jewish parents; her father was Salih Gourdji, Director of the Agence Télégraphique Ottomane in Geneva.
She was educated at the Lycee Moliere and the College de Groslay. She did not graduate from university. She married and had two children, a son (who predeceased her) and a daughter.