Instruct: Given a question, retrieve relevant passages that answer the question.
Query: When did calypso music become popular in the U.S.?
The first major stars of calypso started crossing over to new audiences worldwide in the late 1930s. Attila the Hun, Roaring Lion and Lord Invader were first, followed by Lord Kitchener, one of the longest-lasting calypso stars in history—he continued to release hit records until his death in 2000. 1944's "Rum and Coca-Cola" by the Andrews Sisters, a cover version of a Lord Invader song, became an American hit despite the song being a very critical commentary on the explosion of prostitution, inflation and other negative influences accompanying the American military bases in Trinidad at the time.[6] Perhaps the most straightforward way to describe the focus of calypso is that it articulated itself as a form of protest against the authoritarian colonial culture which existed at the time.
Calypso's early rise was closely connected with the adoption of Carnival by Trinidadian slaves, including canboulay drumming and the music masquerade processions. The French brought Carnival to Trinidad, and calypso competitions at Carnival grew in popularity, especially after the abolition of slavery in 1834. From Trinidad, the carnival, calypso and steel pan spread to the entire English speaking Caribbean islands. Calypso in the Caribbean includes a range of genres, including: the Benna genre of Antiguan and Barbudan music; Mento, a style of Jamaican folk music that greatly influenced ska and reggae; Ska, the precursor to rocksteady and reggae; Spouge, a style of Barbadian popular music.
Norman Luboff followed in the footsteps of Jamaican-American calypso singer Harry Belafonte in popularizing Trinidadian calypso. Luboff de-emphasized the saucy, ribald side of calypso and created a popular form that appealed to the masses. His signature song is "Yellow Bird" which became very popular in the 1960s. Genuine Bermudian calypso can only be found on the fine "Bermuda Gombey & Calypso 1953-1960". A detailed history of Bermuda calypso and gombey written by Bruno Blum can be read in the CD booklet (available online in both French and English). Artists include Sidney Bean, The Talbot Brothers, Reuben McCoy, Hubert Smith, The Four Deuces, Al Harris, Erskine Zuill and jazzman Lance Hayward, the first musician ever produced by Chris Blackwell, founder of Island Records.
During the 1970s, calypso's popularity waned throughout the world, including the Caribbean. Derivatives include an uptempo version of Calypso music called soca, and a hip-hop-influenced style called rapso both became popular in Trinidad and other islands. Soca was by the more influential in terms of international sales, since rapso's crossover appeal to mainstream tastes has been extremely limited. Old-time calypsonians and purists, however, preferred rapso's continuation of the lyrical ambidexterity that helped make calypso the world-famous, innovative art form it has become; many criticized soca's perceived watering-down of calypso, including veteran calypsonians such as Chalkdust, who asked: "Are we to put water in the brandy, singing just two or three words [that mainstream audiences] can understand and dance to?" Indo-Trinidadians began popularising chutney music during the same time period. In the mid-1970s, artists like Sundar Popo made the music mainstream.
Over the past two decades soca music has transformed and revolutionized the Trinidadian music scene. Soca is said to have derived from soul calypso, suggesting a blend of African American and Trinidadian music. Lord Shorty, Trinidadian calypso and soca musician created the term in the late 1970s spelling it “sokah” and said it was meant to be a blend of calypso with East Indian music. “In addition to succeeding in making Africans and East Indians come together as a unit, soca also promotes a sense of nationalism and unity for the country of Trinidad as a whole.”[1] Soca brings Trinidad as a country together and through the music Trinidadians are able to express themselves and their cultural pride. “The majority of popular dance songs during Trinidadian carnival today would be described as Soca as opposed to Calypso and that is due to soca being established as the dominant form of carnival music by the calypsonian singer Super Blue in the 1990s who sang and led the most popular road march three years in a row. Super Blue ultimately established a new model for carnival music that emphasized more dance, faster tempos, and energetic rhythmic vocalizations.”[2] Essentially calypso and soca soon eventually began to go their separate way and became clearly distinguishable from one another with calypso tending to be more reserved music sung in a calypso tent and soca being associated with road and street festivals. Furthermore, calypso is characterized by long narrative texts while soca lyrics are usually built in short phrases that don’t necessarily have to form a logical narrative. In addition, soca is often seen alongside with electronic studio effects which is never seen in calypso. Trinidadian singer and songwriter of Soca music Destra Garcia can be seen exhibiting elements of soca through her quick movements along with her swift vocals while performing with the use of lights and electronic studio effects in the background.
As in many Anglo-Caribbean Caribbean islands, the calypso music of Trinidad & Tobago has become part of the culture of Jamaica. Jamaica's own local music mento is often confused with calypso music. Although the two share many similarities, they are separate and distinct musical forms. During the mid-20th century, mento was conflated with calypso, and mento was frequently referred to as "calypso", "kalypso" and "mento calypso"; mento singers frequently used calypso songs and techniques. As in calypso, mento uses topical lyrics with a humorous slant, commenting on poverty and other social issues. Sexual innuendos are also common.
These early popular performers led the way for calypso's mainstreaming with artists including Lord Kitchener, Harry Belafonte and Mighty Sparrow. Belafonte, a Jamaican-American singing in American English, was by far the most popular internationally during this wave (with his "Calypso" album, Belafonte was the first artist to sell a million copies), but his music was also extensively criticized for watering down the sound of calypso.
By the beginning of the 1960s, calypso and Trinidadian steelpan became the most popular styles of music on Dominica, replacing traditional Carnival music like chanté mas and lapo kabwit, particularly in the capital Roseau. Many of the traditional carnival songs were performed in the new calypso beat. Calypsonians and calypso monarch competitions emerged and became extremely popular. It was in the 1960s that the trend towards drawing on original music, traditional music and songs of Dominica began. This was probably best exemplified by the music of the Gaylords and to a lesser extent, De Boys and Dem. Gaylords unleashed a string of hits such as "DouvanJou", "Ti Mako", songs in Dominican Creole French as well as powerful nationalist songs in English, as "Lovely Dominica" and "Pray for the Blackman". These songs were performed to calypso rhythms and later the new reggae beat coming out of Jamaica.
Calypso is part of a spectrum of similar folk and popular Caribbean styles that spans benna and mento, but remains the most prominent genre of Lesser Antillean music. Calypso's roots are somewhat unclear, but we know it can be traced to 18th-century Trinidad and other Caribbean islands like Saint Lucia. Modern calypso, however, began in the 19th century, a fusion of disparate elements ranging from the masquerade song "lavway", French Creole "belair" and the stick fighting chantwell. Calypso's early rise was closely connected with the adoption of Carnival by Trinidadian slaves, including camboulay drumming and the music masquerade processions. Popular calypso arose in the early 20th century, with the rise of internationally known calypsonians like Attila the Hun and Roaring Lion. calypso remained popular throughout the Caribbean in the later 20th century, the islands began producing calypso stars. In the 1970s, a calypso variant called soca arose, characterized by a focus on dance rhythms rather than lyricism. Soca has since spread across the Caribbean and abroad.
In the carnival months of February and March, Calypso is performed with competitions, where the winners are crowned Calypso King and Queen. Calypso or as the town's people call it "Calipso" is one of a popular cultural tradition. Popular instruments used in the performance of the music are the drums, cuatro, maracas, guitar, bandolin, violin and the steel drum.
In Dominica, the chanté mas and lapo kabwit tradition started to become dominated by imported calypso and steel pan music in the early 1960s. After a fire in 1963, the traditional carnival was banned, though calypso and steelpan continued to grow in popularity. Calypso appealed to Carnival partygoers because the lyrical focus on local news and gossip was similar to that of chanté mas, despite a rhythmic pattern and instrumentation which contrast sharply with traditional Dominican "Mas Domnik" music. Many of the traditional "chanté mas" (masquerade songs) were performed to the calypso beat and later the new reggae beat coming out of Jamaica.
Punta is a popular genre of Garifuna music and has become one of the most popular kinds of music in Belize. It is distinctly Afro-Caribbean, and is sometimes said to be ready for international popularization like similarly-descended styles (reggae, calypso, merengue).
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called "bouyon", which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include "WCK" (Windward Caribbean Kulture), Native musicians in various forms, such as reggae (Nasio Fontaine, Lazo, Brother Matthew Luke), kadans (Ophelia Marie, (Exile One, Grammacks) and calypso (The Wizzard), have also become stars at home and abroad.
The "chanté mas" tradition started to become dominated by imported calypso and steel pan music in the early 1960s. After a fire in 1963, the traditional carnival was banned, though calypso and steelpan continued to grow in popularity. Calypso appealed to Carnival partygoers because the lyrical focus on local news and gossip was similar to that of chanté mas, despite a rhythmic pattern and instrumentation that contrast sharply with traditional Dominican Mas Domnik music.
Calypso in the Caribbean includes a range of genres, including: the Benna genre of Antiguan and Barbudan music; Mento, a style of Jamaican folk music that greatly influenced ska and reggae; Ska, the precursor to rocksteady and reggae; Spouge, a style of Barbadian popular music; Dominica Cadence-lypso, which mixed calypso with the cadence of Haiti; and soca music, a style of Kaiso/calypso, with influences from cadence-lypso, soul, and funk.
Soul shouter Gary "US" Bonds released a calypso album Twist up Calypso (1962) on Legrand records, shortly after returning home from his military post in Port of Spain. Nithi Kanagaratnam from Sri Lanka sang calypso-styled songs in Tamil in 1968, which was a success and earned him the title "Father of Tamil Popular Music". Since Baila rhythm was popular in Sri Lanka, most of his songs were classified as Tamil Baila.
Lucian popular music can be traced back to the 1940s, when calypso became a part of the island's musical culture. Calypso is a lyrical Trinidadian genre, related to several styles found through the Antillean music area. Music scholar Jocelyne Guilbault has called calypso the primary way modern Lucians "express social commentary". Along with calypso, Lucia has also imported the Trinidadian steelband and soca traditions.
Calypso's early rise was closely connected with the adoption of Carnival by Trinidadian slaves, including canboulay drumming and the music masquerade processions. The French brought Carnival to Trinidad, and calypso competitions at Carnival grew in popularity, especially after the abolition of slavery in 1834. From Trinidad, the carnival, calypso and steel pan spread to the entire English speaking Caribbean islands. Calypso in the Caribbean includes a range of genres, including: the Benna genre of Antiguan and Barbudan music; Mento, a style of Jamaican folk music that greatly influenced ska and reggae; Ska, the precursor to rocksteady and reggae; Spouge, a style of Barbadian popular music.
Calypso is an originally Trinidadian style of music that has since spread across the world. In recent years it has become a major part of Montserratian music, with the rise of Alphonsus "Arrow" Cassell, a soca artist who is internationally renowned. Calypso in Montserrat dates to the 1950s, and Justin "Hero" Cassell (Arrow's brother), who won the islands calypso competition thirteen times and became the Calypso King of the Organization of Eastern Caribbean States. In 2000, Sylvina "Khandie" Malone became the first female calypso monarch on Montserrat.
The "chanté mas" tradition started to become dominated by imported calypso and steel pan music in the early 1960s. After a fire in 1963, the traditional carnival was banned, though calypso and steelpan continued to grow in popularity. Calypso appealed to Carnival-partygoers because the lyrical focus on local news and gossip was similar to that of chanté mas, despite a rhythmic pattern and instrumentation which contrast sharply with traditional Dominican Mas Domnik music.
Calypso music enjoyed a brief period of popularity in other parts in the world during the 1950s. Trinidadian expatriate Lord Kitchener had helped popularize calypso in England, and Sparrow also found some success there. In the United States, interest in calypso was sparked largely by Harry Belafonte's 1956 album "Calypso", the first LP to sell over one million copies. In January 1958, Sparrow, along with longtime rival Lord Melody, travelled to New York City seeking access to the American music audience. Sparrow had already been recording with Balisier and Cook Records, and with Belafonte's help he also began to record for RCA Victor. He did not achieve the success he had hoped for; he said in a 2001 interview, "When nothing happened for me, I went back to England and continued on with my career."
The chantwell became a calypsonian in the 1920s and calypso became widely popular throughout Trinidad and the Caribbean in the 1930s. Harry Belafonte, a Jamaican-born artist, became hugely successful throughout the world with his 1956 "Calypso" becoming a million seller. During the 1960s, calypso was merged with Indian music and later soul and funk to become soca.
"FDR in Trinidad" (also known as "Roosevelt in Trinidad") is a calypso song written by Fritz McLean and popularized by Atilla the Hun (Raymond Quevedo) to commemorate U.S. President Franklin Delano Roosevelt's 1936 trip to Trinidad. As part of Attila and his band's repertoire in New York City during the 1930s and 1940s, it brought increased popularity to the genre. Roosevelt had become a calypso fan in 1934 following the band's performances in New York City during 1934.
Calypso has been popular in Dominica since the 1950s; the first Calypso King was crowned in 1959. Popular calypso in Dominica has always been closely associated with steelpan music. The first wave of Dominican steelpan includes such bands as Esso, Shell and Regent, Vauxhall and Old Oak.
In Dominica, the chanté mas and lapo kabwit tradition started to become dominated by imported calypso and steel pan music in the early 1960s. After a fire in 1963, the traditional carnival was banned, though calypso and steelpan continued to grow in popularity. Calypso appealed to Carnival-partygoers because the lyrical focus on local news and gossip was similar to that of chanté mas, despite a rhythmic pattern and instrumentation which contrast sharply with traditional Dominican "Mas Domnik" music. Many of the traditional chanté mas ("masquerade song") were performed to the calypso beat and later the new reggae beat coming out of Jamaica.