Instruct: Given a question, retrieve relevant passages that answer the question.
Query: How much do we owe to China?
Historically, the share held by foreign governments had grown over time, rising from 13 percent of the public debt in 1988[56] to 34 percent in 2015.[57] In more recent years, foreign ownership has retreated both in percent of total debt and total dollar amounts. China's maximum holding of 9.1% or $1.3 trillion of US debt occurred in 2011, subsequently reduced to 5% in 2018. Japan's maximum holding of 7% or $1.2 trillion occurred in 2012, subsequently reduced to 4% in 2018.[58]
Prominent Mujeres Muralista artist Patricia Rodriguez has commented on the group's work saying, "The statements that we made were very feminine and we got a lot of criticism because we weren’t doing soldiers with guns, weren’t doing revolutionary figures. We were painting women. Women in the marketplace, women breastfeeding, women doing art. People got really angry that we were doing that. ‘How could you do this when there’s so much going on?’ but we were saying that being a women is a revolution in society."
Crito, we owe a rooster to Asclepius. Please, don't forget to pay the debt.[98] Crito, we owe a cock to Asclepius, Pay it and do not neglect it.[97] Crito, we owe a cock to Asclepius, make this offering to him and do not forget.[99]
Despite the strains in relations between the United Kingdom and Ireland in the wake of those events, the then British Ambassador, Sir John Peck, praised Lynch, of whom he said "all those concerned with, and committed to, peace with justice in the North owe a very great deal to his courage and tenacity", adding that "I do not think that I ever succeeded in convincing British politicians of how much we owed him at that stage, or what the consequences would have been if he had lost his head".
A particular incident relates to Harvard's Great Orrery which was malfunctioning. Many craftsmen had unsuccessfully attempted to repair it, until finally Harvard's authorities offered an important reward to Simon if he was able to fix it. For days, Willard analyzed the device. He fixed the orrery by drilling a hole and fastening a rivet. The satisfied authorities asked: "Now, Mr. Willard. How much do we owe you?" Willard simply answered: "Oh. About a ninepence will do, I guess."
On her time in "How Do You Solve A Problem Like Maria?" Finley has said, "It was like a holiday camp and school trip rolled into one. We would sit around the lounge in the evenings watching reality TV and saying how much we hated it. We forgot we were doing it!" And on getting the leading role breaks after "How Do You Solve A Problem Like Maria?", "I know it is a cliché, but honestly and truly I am living the dream, doing something I always wanted to do. I have to pinch myself sometimes. I am so lucky to be doing what I love doing on a daily basis – you can't ask for any more."
Finally, we appeal to you to excuse us very, very much for daring to write this letter to you, the great personages to whom we owe much respect. And do not forget it is to you whom we must lament about the weakness of our abilities in Africa.
Matt Bjorke writing for About.com stated "the song is a good one, so good that it rivals anything off of Toby's "How Do You Like Me Now?!" album. It's a fun track about getting older, and how we don't have as much "energy" as we once had." "Sputnik Music" called it "a testament to how much old age sucks" while Allmusic declared the song was "wonderfully self-depreciating".
Epistemology (from Greek ἐπιστήμη – "episteme"-, "knowledge, science" and λόγος, "logos") or theory of knowledge is the branch of philosophy concerned with the nature and scope (limitations) of knowledge. It addresses the questions "What is knowledge?", "How is knowledge acquired?", "What do people know?", "How do we know what we know?", and "Why do we know what we know?". Much of the debate in this field has focused on analyzing the nature of knowledge and how it relates to similar notions such as truth, belief, and justification. It also deals with the means of production of knowledge, as well as skepticism about different knowledge claims.
In IBM there's a religion in software that says you have to count K-LOCs, and a K-LOC is a thousand lines of code. How big a project is it? Oh, it's sort of a 10K-LOC project. This is a 20K-LOCer. And this is 50K-LOCs. And IBM wanted to sort of make it the religion about how we got paid. How much money we made off OS/2, how much they did. How many K-LOCs did you do? And we kept trying to convince them – hey, if we have – a developer's got a good idea and he can get something done in 4K-LOCs instead of 20K-LOCs, should we make less money? Because he's made something smaller and faster, less K-LOC. K-LOCs, K-LOCs, that's the methodology. Ugh! Anyway, that always makes my back just crinkle up at the thought of the whole thing.
Despite the strains in relations between the United Kingdom and Ireland in the wake of those events, Peck praised the then Taoiseach, Jack Lynch, of whom he said "all those concerned with, and committed to, peace with justice in the North owe a very great deal to his courage and tenacity", adding that "I do not think that I ever succeeded in convincing British politicians of how much we owed him at that stage, or what the consequences would have been if he had lost his head".
There is also an official remix of the song called "How We Do (In the UK)" and features UK hip-hop artist Sway DaSafo.
It was premiered on 1xtra by Ronnie Herel on 16 June 2008. Lloyd's verses in the song are exactly the same except he sings "How we do in the UK" during the chorus rather than "How we do around my way".
In early 2006, the band themselves were considered bankrupt. WineDark Records had imploded, leaving them without distribution, tour support, or promised advance payments. The band owed money to crew members and other staffers and had a mounting credit card debt. In April, they expected that a tax refund from the US government would help ease the burden. Then, they found out their accountant hadn't paid their taxes and they owed $120,000 to the government. "We were beyond broke", says drummer and lyricist Morgan Rose. "We had a debt load close to a million dollars, and we were in a position where, no matter how much money we thought we were making, we were still having to pay and pay."
According to Henry Hugh Peter Deasy in 1901 on the people of Xinjiang: "insurrection is about the last course to which the natives would of their own accord resort. Any riots and disturbances which occur are got up by the officials for the purpose of inflicting injury on foreigners. The population have no fighting courage, no arms, no leaders, are totally incapable of combined action, and, so far as the government of their own country is concerned. may be regarded as of no account. They have been squeezed to the utmost, but would prefer to remain under the dominion of China. If they are questioned, they say 'The Chinese plunder us, but they do not drive and hustle us, and we can do as we please.' This opinion agrees with that of the Andijanis, or natives of Russian Turkestan, who assert that Russian rule is much disliked among them, owing to the harassing administration to which they are subjected."
I think it may be taken that we owe the sailors' working song as we now possess it to the Americans. How far do these songs date back? I doubt if the most ancient amongst them is much older than the century. It is noteworthy that the old voyagers do not hint at the sailors singing out or encouraging their efforts by choruses when at work. In the navy, of course, this sort of song was never permitted. Work proceeded to the strains of a fiddle, to the piping of the boatswain and his mates, or in earlier times yet, to the trumpet. The working song then is peculiar to the Merchant Service, but one may hunt through the old chronicles without encountering a suggestion of its existence prior to American independence and to the establishment of a Yankee marine.
The Flix contest is an ongoing project. Amateur film-makers, and cinema students the world over have joined in to compete for the editing software and cash prizes offered by the contest. Your films need not be about the ocean, necessarily. You can also make a film about the broader idea of shifting baselines, which refers to the lowered standards created when we can no longer tell what is natural for our world any more. For instance, how do we know how clean our water originally was? Today all of our water has small, but ever-increasing levels of mercury, lead, and other even more poisonous compounds. Certainly a certain amount of that has always been in the water, but how much is normal? How much is natural? And how do we know what "Pristine" is any more? When talking about what is natural we really have no clue what the world was like before human impact, and therefore cannot know what struggles we have to put forward in order to clean up the world and make it liveable and drinkable again. 
Researchers have also shown that the rhetorical moves people must make within accepted genres to communicate successfully in particular contexts operate to reinforce communities' identities and to legitimate particular communication practices. Thus, the genres that communities enact help structure their members' ways of creating, interpreting, and using knowledge (Myers; Winsor, Ordering, Writing; Bazerman, Shaping, Constructing; Berkenkotter and Huckin; Smart).
Genres are very important in our every day life and we do not realize how much we use them, how much they affect us, how much they determine the way we act and understand the others.
For How Much Longer Do We Tolerate Mass Murder? is the second studio album by English post-punk band The Pop Group. It was released on March 21, 1980, through the record labels Rough Trade and Y.
To promote the book, Coulter appeared on various television and radio shows. "ABC News" did an on-air interview with Coulter on September 23, 2012, where interviewer George Stephanopoulos pointed out how she had stated in her book that "feminists, LGBT activists and immigrants rights groups had 'commandeered the blacks’ civil rights experience.'" Coulter responded by saying that "We don’t owe the homeless, we don’t owe the feminists, we don’t owe women who are desirous of having abortions or gays who want to get married to one another. That’s what ‘civil rights’ have become for much of the left", further adding when questioned about whether immigrant rights fit under civil rights, "No, I think civil rights are for blacks...We owe black people something, we have a legacy of slavery."
How do we find our way in the world? How do our actions affect others? What do we owe the rest of humanity? These are the timeless questions so eloquently posed by Rachel Corrie, a young American activist killed on March 16, 2003, as she tried to block the demolition of a Palestinian family's home in the Gaza Strip.
The "collection of her journal entries opens a window on the maturation of a young woman seeking to make the world a better place."
"For How Much Longer Do We Tolerate Mass Murder?" was recorded at Foel Studios. It featured a collaboration with proto-rap group The Last Poets. The photo on the cover is the photograph "Two Gypsies" by André Kertész.
Adapted from the "For How Much Longer Do We Tolerate Mass Murder?" liner notes.
I don't think it's important to take it too literally. I think the song, more than anything, is about having a sense of urgency; about how we are you know, living on borrowed time essentially and people are becoming much more aware of the environment and how we're destroying the planet. We can't just keep distracting ourselves we do have to educate ourselves and wake up and do something about it. You know at the same time we don't want to be boring and serious and not have fun so it's kind of like well if we're going to save the planet can we have a good time while we are doing it?
By unlocking the knowledge of China's great botanical treasures for the rest of the world, the project brings together hundreds of Chinese and Western scientists for an invaluable exchange of ideas, training, information, and plant specimens. It is an enormous advancement for systematic and applied botany ... China's plant species represent a significant percentage of the world's total. If we don't do this kind of research, how will we know what we have and how to protect it?
In an interview with "The Washington Post", Former Democratic U.S. Senator Russ Feingold endorsed the movement on October 5 stating, "This is like the Tea Party—only it's real ... By the time this is over, it will make the Tea Party look like ... a tea party." Former Chairman of the Joint Chiefs of Staff and Secretary of State Colin Powell declared that the demonstrations of the OWS movement were "as American as apple pie," adding ""This is something that our political leaders need to think about. It isn't enough just to scream at our Occupy Wall Street demonstrators — we need our political system to start reflecting this anger back into how do we fix it? How do we get the economy going again?"