Instruct: Given a question, retrieve documents that answer the question.
Query: Is there a large filming economy in Montreal?
Montreal is also a centre of film and television production. Five studios of the Academy Award-winning documentary producer National Film Board of Canada can be found here, as well as the head offices of Telefilm Canada, the national feature-length film and television funding agency. Given its eclectic architecture and broad availability of film services and crew members, Montreal is a popular filming location for feature-length films, and sometimes stands in for European locations.[16][17][18] The city is also home to many recognized cultural, film and music festivals (Just For Laughs, Montreal Jazz Festival, and others), which contribute significantly to its economy. It is also home to one of the world's largest cultural enterprises, the Cirque du Soleil.[19]
The second largest portion of the service sector is the business service and hire only a slightly smaller percentage of the population.[63] This includes the financial services, real estate, and communications industries. This portion of the economy has been rapidly growing in recent years. It is largely concentrated in the major urban centres, especially Toronto, Montreal and Vancouver (see Banking in Canada).
Central Station was designed by John Schofield, architect-in-chief of CNR. Construction started in 1926, but was halted in 1930 as a result of the Great Depression. Construction resumed in 1939, the economy having improved. The new station finally opened on July 14, 1943, as the first of a series of large-scale urban redevelopment projects undertaken by CNR and the federal government in Downtown Montreal. But the Central Station that came out was a more modest central station with 20 tracks (16 of which had platforms).
"Beastly" was one of the first feature films to be produced and distributed by CBS Films; it had a budget of $17 million for filming and marketing. Production began on June 13, 2009 in Montreal, Quebec, Canada and ended in August that year. The first clip of the official "Beastly" trailer was filmed in Chicago, and used Walter Payton College Prep High School as Buckston Academy High School. Old Montreal and Laval were used as filming locations, and Mount Royal Park in Montreal served as Central Park in New York and other outdoor locations. Local Montreal diner Place Milton was also used as a location, and was renamed Cafe Santiago for the film. Filming was completed in 45 days.
Film production became a part of the city activity. Associated Screen News of Canada in Montreal produced two notable newsreel series, "Kinograms" in the twenties and "Canadian Cameo" from 1932 to 1953. The making of documentary films grew tremendously during World War II with the creation of the National Film Board of Canada, in Montreal, in 1939. By 1945 it was one of the major film production studios in the world with a staff of nearly 800 and over 500 films to its credit including the very popular, "The World in Action" and "Canada Carries On", series of monthly propaganda films. Other developments in the cultural field included the founding of Université de Montréal in 1919 and the Montreal Symphony Orchestra in 1934. The Montreal Forum, built in 1924 became the home ice rink of the fabled Montreal Canadiens hockey team.
In 1963, the neighbourhood was one of the oldest in the city when it was razed in order to construct Maison Radio-Canada. The destruction of whole neighbourhoods was not a rare occurrence in Montreal during the 1950s and 1960s. Montreal, during this time period, was on the mend. It was facing a serious decline in its economy after the Second World War and due to various phases of de-industrialization. In the nineteenth century, Montreal was the "uncontested metropolis of Canada" as it was one of North America's main industrial cities and financial centres. Montreal's reputation started to decline as early as the 1890s and this affected the city's urban makeup. Over the next six decades, Montreal's downtown would move further and further away from the water and whole parts of the old city were deemed "obsolete and unrecoverable."
To add to all this, by the late 1950s, Montreal's port was no longer Canada's maritime terminal. Trucking was becoming the more popular medium for shipping goods and Ontario was at the head of automobile production. Since shipping by boat and train was becoming less in demand, Montreal's economy suffered, as they were one of the leaders in manufacturing railway equipment. American and international investment firms began to favour Toronto, which soon replaced Montreal as Canada's financial capital.
Several companies are headquartered in Greater Montreal including:
The Conference of Montreal was founded in 1995, by Gil Rémillard, at a time when the globalization of the economies was beginning to emerge at an increased rate.
The Economy of Montreal is the second largest of all cities in Canada[1] and the first in Quebec.[2] The city is today a centre of commerce, industry, technology, culture, finance, and world affairs. In 2015, Metropolitan Montreal was responsible for $193 Billion CDN of Quebec's $370 Billion CDN GDP.
Between the end of World War II and 1971, both Montreal and Toronto grew enormously in size. Between 1941 and 1951, Montreal's population grew by 20% and Toronto's by 25%.[3] Between 1951 and 1961, Montreal grew by 35% and Toronto 45%.[4] And from 1961 to 1971, Montreal grew by a little less than 20% and Toronto 30%.[5] In the early 1970s, 30 years after Toronto had begun challenging Montreal as the economic capital of Canada, Toronto surpassed Montreal in size. Indeed, the volume of stocks traded at the Toronto Stock Exchange surpassed that traded at the Montreal Stock Exchange in the 1940s.[6]
The Port of Montreal was behind the creation of the Logistics and Transportation Metropolitan Cluster of Montreal, or Cargo Montreal, an initiative that will help consolidate Montreal as a centre for goods transportation. The project is supported by the Metropolitan Community and its activities are financially supported by Quebec’s Finance and Economy Ministry, Executive Council Ministry, the Montreal Metropolitan Community and all Cargo Montreal members, while Transport Canada is a participant.
"Fleur bleue" is one of the very few films to deal with the strain between Anglophone and Francophone relationships in the city of Montreal in the late 1960s and early 1970s. At the time the film was made, Montreal was largely segregated into French speaking areas in the east, and English speaking areas in the west, with the two groups rarely interacting with each other. Jean-Pierre and Elizabeth both are from Montreal, but neither has a working command of the other's language - Jean-Pierre's English is non-fluent, and Elizabeth's French is non-existent.
In spite of these factors the economy of Montreal was transformed in the latter part of the century. The heavy manufacturing of the earlier years was replaced by the high value added output of the aviation and pharmaceutical sectors. Notable companies in the former include, Bombardier, Bell Textron, Pratt & Whitney and CAE. The latter sector included Merck Frost and Phizer. Montreal also remains home to a large number of corporate head offices including those of Power Corporation of Canada, the Bank of Montreal, BCE Inc., Alimentation Couche-Tard Inc., Hydro-Québec, Ace Aviation Holdings (Air Canada), Ultramar Ltd. and Metro Inc..
The film premiered in May 1987 at the Engineering Institute of Canada Centennial Convention, which was attended by about 3000 delegates; excerpts were shown on six television channels the same week. Outside Canada, the first show was at Computer Graphics International '87 at Karuirawa, in Japan, and large excerpts were shown on the News Watch 9 program (NHK). The film has been shown at several festivals, including the Banff Mountain Film Festival, the Hiroshima International Animation Festival, the Montreal World Film Festival, the Women Film Festival in Hollywood, the Rio de Janeiro Festival, the Abitibi-Temiscamingue Festival, the Monte-Carlo Television Festival and the Stuttgart Festival Of Animated Films. It was shown throughout the summer of 1987 at Montreal's EXPOTECH, the largest scientific exhibition ever held in Canada.
The Montreal World Film Festival (WFF; ; alternative official name Montreal International Film Festival, not commonly used), founded in 1977, is one of Canada's oldest international film festivals and the only competitive film festival in North America accredited by the FIAPF (although the Toronto International Film Festival is North America's only accredited non-competitive festival). The public festival is held annually in late August in the city of Montreal in Quebec. Unlike the Toronto International Film Festival, which has a greater focus on Canadian and other North American films, the Montreal World Film Festival has a larger diversity of films from all over the world.
There are currently 19 large parks in Montreal, with a combined area of . The ""Network of Large Parks"" consists of precious natural areas recognized for their biodiversity and beauty. Some of the large parks also contain historic homes acquired by the City of Montreal.
Festival International de Films de Montréal (FIFM), also known in English as the New Montreal FilmFest 
was a film festival held in Montreal in 2005 to focus on Francophone films. Originally intended as an annual event, the festival became mired in rivalry with two competing festivals—the Montreal World Film Festival and the Toronto International Film Festival—such that the New Montreal FilmFest was ultimately held only once.
Ironically, while the film portrays a plow operator battling a traditional Montreal snow storm, an almost snowless winter meant that Carle had to film sporadically over 18 months. The film would go on to win first prize in the feature films category at the Festival of Canadian Films, held as part of the 1965 Montreal International Film Festival (more commonly known now as the Montreal World Film Festival).
In 1942 the Canadian government forced ethnic Japanese to move from areas on the West Coast of Canada, so many moved to Montreal. The authors of "The Chameleon Character of Multilingual Literacy Portraits: Researching in "Heritage" Language Places and Spaces" stated that in the immediate post-World War II period, the Japanese in Montreal had a "long invisible presence". Reiko Yoshida, the author of the PhD thesis "Political economy, transnationalism, and identity : students at the Montreal Hoshuko," interviewed a Japanese Canadian at the Montreal Japanese Canadian Cultural Centre; according to the interview many Japanese arrived in Montreal since they could get a fresh start and not stand out.
Substantial revenues might also derive from licensing efforts and other activities centered around the management of intellectual property; for this reason, various national film industries are heavily invested in the politics and legal specifics of multilateral trade agreements. Hollywood is a large enough industry to impact America's net balance of trade, offsetting some of the decline of employment in the manufacturing sector of the American economy since the early 1980s; typical of recent economic trends in first world economies, a large number of manufacturing jobs paying moderate wages are offset by a smaller number of creating jobs paying high wages. As an intellectual property industry, the film industry (along with the software industry) are central to modern globalization.
Film production became a part of the city activity. Associated Screen News of Canada in Montreal produced two notable newsreel series, "Kinograms" in the twenties and "Canadian Cameo" from 1932 to 1953. The making of documentary films grew tremendously during World War II with the creation of the National Film Board of Canada, in Montreal, in 1939. By 1945 it was one of the major film production studios in the world with a staff of nearly 800 and over 500 films to its credit including the very popular, "The World in Action" and "Canada Carries On", series of monthly propaganda films. Other developments in the cultural field included the founding of Université de Montréal in 1919 and the Montreal Symphony Orchestra in 1934. The Montreal Forum, built in 1924 became the home ice rink of the fabled Montreal Canadiens hockey team.
Up the Yangtze is a 2007 documentary film directed by Chinese-Canadian director Yung Chang. The film focuses on people affected by the building of the Three Gorges Dam across the Yangtze river in Hubei, China. The theme of the film is the transition towards consumer capitalism from a farming, peasant-based economy as China develops its rural areas. The film is a co-production between the National Film Board of Canada and Montreal's EyeSteelFilm with the participation of the Canadian Broadcasting Corporation, National Geographic Channel, P.O.V., SODEC, and Telefilm. The film is being distributed in the USA by Zeitgeist Films. The United Kingdom distributor is Dogwoof Pictures.
As a lapsed Catholic and self-proclaimed atheist, Arcand did not envision "Jesus of Montreal" as a religious film, adding, "In my film, the story of the Passion is a metaphor of an artist and his struggles and temptations." He spent a year in 1987 writing the screenplay. The film was made on a budget of $4.2 million, with Arcand saying he got a "blank check" after his success with "The Decline of the American Empire" (1986). This budget was unusually large for a Quebec film.
The 1929 crisis hit Montreal especially hard. In 1934, due to multiple factors, the Toronto Stock Exchange surpassed Montreal. Still, Montreal's position in Canada's economy recovered, and it was not until the mid-1970s that Toronto became the metropolis of Canada after a decade of political troubles in Montreal.
In addition to his own industrial enterprises, Redpath invested in numerous businesses that greatly benefited the Montreal economy. In addition to his own cargo vessels to serve his sugar refinery, he had investments in the Montreal Towboat Company. He also helped finance the Montreal Telegraph Company and the Montreal Fire Assurance Company, serving as a director of both companies. He also committed substantial funds to develop the economies of Quebec's Eastern Townships, including investments in the Capel Copper operations, the Belvedere Mining and Smelting Company, Rockland Slate Company, Bear Creek Coal, and Melbourne Slate Co.