Instruct: Given a question, retrieve documents that answer the question.
Query: When was Jacques-Louis David born?
Jacques-Louis David (French:[ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling,[1] harmonizing with the moral climate of the final years of the Ancien Régime.
It was moved there from its original location after the artist's death on 25 December 1825 where his body had been resting in the old churchyard of the St. Michael and St. Gudula collegiate church of the Leopold Quarter of Brussels while waiting for posthumous repatriation to France. However, as a notable participant of the Reign of Terror, his body was not accepted for repatriation, and the lead-lined oak casket was left where it was. Thanks to an initiative by Jobard, a monument was erected with the text "À Jacques-Louis David restaurateur de l'école moderne de peinture de France ici dessous" ("To Jacques-Louis David, restorer of the school of modern art of France, buried here"). In 1882 a grandson requested that the monument be moved to a more prominent location and the body was re-buried at the Mayor's circle in the city cemetery of Evere. 
Born in Brussels into a family that produced many female artists, Marie-Adélaïde Kindt was trained in drawing by engraver Antoine Cardon. She studied painting under François-Joseph Navez and was encouraged by Jacques-Louis David.
Jacques-Louis Potgieter (born 2 September 1984 in Pretoria) is a South African rugby union player, currently playing with French side . His regular position is fly-half.
He studied in New Orleans with Toussaint Bigot, Louis David, François Fleischbein, Julien Hudson, and Jacques Amans in Paris, France with Anne-Louis Girodet. He received instruction in decorative painting under Antonio Mondelli.
Jacques-Marie-Louis Monsabré (born at Blois, France, 10 December 1827; died at Le Havre, 21 February 1907) was a French Dominican, a celebrated pulpit orator.
Born in Paris, he trained for the law, then followed courses in art and history at the Collège Louis-le-Grand and apprenticed for a time in the atelier of Guillaume Coustou the Younger and Pierre Julien, getting some practical experience in the art of sculpture. A trip to Naples in the company of Jacques-Louis David sparked his interest in Greek and Roman architecture.
Jacques Majorelle was born in 1886 in Nancy, France. He was the son of a celebrated furniture designer, Louis Majorelle. Jacques' childhood was spent among the draftsmen, cabinetmakers and marquetry inlayers from his father's workshops at a time when the Art Nouveau movement was in its ascendancy. Initially, his father encouraged the young Jacques to study architecture, but after three years, he decided to take up his lifelong passion, painting.
Jean-Baptiste David was born in 1808. He was a pupil of Pierre Duval Le Camus, who painted moralistic subjects.
Duval was in turn a pupil of the famous painter Jacques-Louis David.
Jean-Baptiste David began work in 1824, using his power of observation and facility of drawing to produce a variety of landscapes and interiors in Gothic style for publishers.
In the last 50 years David has enjoyed a revival in popular favor and in 1948 his two-hundredth birthday was celebrated with an exhibition at the Musée de l'Orangerie in Paris and at Versailles showing his life's works.[42] Following World War II, Jacques-Louis David was increasingly regarded as a symbol of French national pride and identity, as well as a vital force in the development of European and French art in the modern era.[43]
Jacques Louis Antoine Marie David (22 December 1930 – 19 December 2018) was a French Roman Catholic bishop.
David was born in France and was ordained to the priesthood in 1956. He served as titular bishop of "Girba" and as auxiliary bishop of the Roman Catholic Archdiocese of Bordeaux, France, from 1981 to 1986. He served as bishop of the Roman Catholic Diocese of La Rochelle and Saintes, France, from 1986 to 1996. David served as bishop of the Roman Catholic Diocese of Évreux, France, from 1996 to 2006.
Jacques-Louis David was born into a prosperous French family in Paris on 30 August 1748. When he was about nine his father was killed in a duel and his mother left him with his well-off architect uncles. They saw to it that he received an excellent education at the Collège des Quatre-Nations, University of Paris, but he was never a good student-- he had a facial tumor that impeded his speech, and he was always preoccupied with drawing. He covered his notebooks with drawings, and he once said, "I was always hiding behind the instructor's chair, drawing for the duration of the class". Soon, he desired to be a painter, but his uncles and mother wanted him to be an architect. He overcame the opposition, and went to learn from François Boucher (1703–1770), the leading painter of the time, who was also a distant relative. Boucher was a Rococo painter, but tastes were changing, and the fashion for Rococo was giving way to a more classical style. Boucher decided that instead of taking over David's tutelage, he would send David to his friend, Joseph-Marie Vien (1716–1809), a painter who embraced the classical reaction to Rococo. There, David attended the Royal Academy, based in what is now the Louvre.
Bernard's portrait in pen and ink by Jacques-Louis David, done when they were in prison together at the Collèdes Quatre Nations, Paris, in July 1795) is in the Getty Museum.
Nicolas Poussin (1594–1665), a French painter in the classical style whose work predominantly features clarity, logic, and order, and favors line over color, served as an alternative to the more narrative Baroque style of the 17th century. He was a major inspiration for such classically oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. The rise of the Neoclassical art of Jacques-Louis David ultimately engendered the realistic reactions of Gustave Courbet and Édouard Manet leading to the multi-faceted figurative art of the 20th century.
Louis Ducis (14 July 1775, Versailles - 2 March 1847, Paris) was a French painter and student of Jacques-Louis David.
Jean Jacques Flatters was born on 6 November 1786 in Krefeld, Westphalia.
He came from Westphalia to Paris to study sculpture and painting.
He was a pupil of Jean-Antoine Houdon (1741–1828) and Jacques-Louis David (1748–1825).
Flatters began exhibiting at the Salon in 1810.
On 25 September 1813 he won the second prize for sculpture in the Prix de Rome.
Jean-Jacques Flatters served in the French army from February to July 1814 at the close of the First French Empire.
Jacques Louis Marin DeFrance (born 22 October 1758, died 12 November 1850) was a French malacologist.
The Grave of Jacques-Louis David is an obelisque by an unknown artist in honor of the exiled French painter Jacques-Louis David in the Brussels Cemetery.
The painter Jacques-Louis David represented his death in a famous painting, "Les Derniers moments de Michel Lepeletier" or "Lepelletier de Saint-Fargeau sur son lit de mort". David described his painting of Le Peletier's face as "Serene, that is because when one dies for one's country, one has nothing with which to reproach oneself." This painting, known only through a drawing made by a pupil of David, is considered by scholars the first official painting of the French Revolution, a rehearsal for David's later achievement "The Death of Marat".
The birth of Romanticism is traditionally credited to the paintings of eighteenth century French artists such as Jacques-Louis David.[44]
Louis-Jacques Beauvais, born in 1759 at the Croix-des-Bouquets Saint-Domingue and died on September 12, 1799 in a shipwreck, is a Haitian general of the Haitian Revolution.
When David was leaving a theater, a carriage struck him, and he later died, on 29 December 1825. At his death, some portraits were auctioned in Paris, they sold for little; the famous Death of Marat was exhibited in a secluded room, to avoid outraging public sensibilities. Disallowed return to France for burial, for having been a regicide of King Louis XVI, the body of the painter Jacques-Louis David was buried in Brussels and moved in 1882 to Brussels Cemetery, while some say his heart was buried with his wife at Père Lachaise Cemetery, Paris.
Born in Charleville, Ardennes, he was at first a musketeer, then a lieutenant of the "Marchaux" (guardsmen of the "Ancien Régime"), and embraced Liberalism. At the start of the French Revolution in 1789, he was elected deputy to the States-General by the Third Estate of Vitry-le-François, and joined the National Assembly (his portrait stands in the foreground in Jacques-Louis David's celebrated sketch of the "Oath of the Tennis Court").
Another notable sculptor from the older generation was David d'Angers (1788-1856) who had studied with Jacques-Louis David. He worked largely in an expressive neoclassical style, illustrated in his statue of "Philopoemen hurt" (1837), now in the Louvre.
Brookner, Anita, Jacques-Louis David, Chatto & Windus (1980) Chodorow, Stanley, et al. The Mainstream of Civilization. New York: The Harcourt Press (1994) pg. 594 Delécluze, E., Louis David, son école et son temps, Paris, (1855) re-edition Macula (1983) Dowd, David, Pageant-Master of the Republic, Lincoln, University of Nebraska Press, (1948) Humbert, Agnès, Louis David, peintre et conventionnel: essai de critique marxiste, Paris, Editions sociales internationales (1936) Humbert, Agnès, Louis David, collection des Maîtres, 60 illustrations, Paris, Braun (1940) Johnson, Dorothy, Jacques-Louis David. New Perspectives, Newark (2006) Lajer-Burcharth, Ewa, Necklines. The art of Jacques-Louis David after the Terror, ed. Yale University Press, New Haven London (1999) Lee, Simon, David, Phaidon, London (1999). ISBN0714838047 Lévêque, Jean-Jacques, Jacques-Louis David édition Acr Paris (1989) Leymarie, Jean, French Painting, the 19th century, Cleveland (1962) Lindsay, Jack, Death of the Hero, London, Studio Books (1960) Malvone, Laura, L'Évènement politique en peinture. A propos du Marat de David in Mélanges de l'École française de Rome, Italie et Méditerranée 106, 1 (1994) Michel, R. (ed), David contre David, actes du colloque au Louvre du 6-10 décembre 1989, Paris (1993) Monneret, Sophie Monneret, David et le néoclassicisme, ed. Terrail, Paris (1998) Noël, Bernard, David, éd. Flammarion, Paris (1989) Rosenberg, Pierre, Prat, Louis-Antoine, Jacques-Louis David 1748-1825. Catalogue raisonné des dessins, 2 volumes, éd. Leonardo Arte, Milan (2002) Rosenberg, Pierre, Peronnet, Benjamin, Un album inédit de David in Revue de l'art, n°142 (2003-4), pp.45–83 (complete the previous reference) Sahut, Marie-Catherine & Michel, Régis, David, l'art et le politique, coll. "Découvertes Gallimard" (nº 46), série Peinture. Éditions Gallimard et RMN Paris (1988) Sainte-Fare Garnot, N., Jacques-Louis David 1748-1825, Paris, Ed. Chaudun (2005) Schnapper, Antoine, David témoin de son temps, Office du Livre, Fribourg, (1980) Thévoz, Michel, Le théâtre du crime. Essai sur la peinture de David, éd. de Minuit, Paris (1989) Vanden Berghe, Marc, Plesca, Ioana, Nouvelles perspectives sur la Mort de Marat: entre modèle jésuite et références mythologiques, Bruxelles (2004) / New Perspectives on David's Death of Marat, Brussels (2004) - online on www.art-chitecture.net/publications.php Vanden Berghe, Marc, Plesca, Ioana, Lepelletier de Saint-Fargeau sur son lit de mort par Jacques-Louis David: saint Sébastien révolutionnaire, miroir multiréférencé de Rome, Brussels (2005) - online on www.art-chitecture.net/publications.php Vaughan, William and Weston, Helen (eds),Jacques-Louis David's Marat, Cambridge (2000) . Retrieved 29 June 2005. New York Med. , on An Abridged History of Europe. Retrieved 29 June 2005 on CGFA. Retrieved 29 June 2005