Instruct: Given a question, retrieve relevant passages that can help answer the question.
Query: When did construction of Angkor Wat begin?
Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "Capital Temple") is a temple complex in Cambodia and one of the largest religious monuments in the world, on a site measuring 162.6 hectares (1,626,000m2; 402 acres).[1] Originally constructed as a Hindu temple dedicated to the god Vishnu for the Khmer Empire, it was gradually transformed into a Buddhist temple towards the end of the 12th century.[2] It was built by the Khmer King Suryavarman II[3] in the early 12th century in Yaśodharapura (Khmer: យសោធរបុរៈ, present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Breaking from the Shaiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious centre since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia,[4] appearing on its national flag, and it is the country's prime attraction for visitors.[5]
In December 2015, it was announced that a research team from University of Sydney had found a previously unseen ensemble of buried towers built and demolished during the construction of Angkor Wat, as well as massive structure of unknown purpose on its south side and wooden fortifications. The findings also include evidence of low-density residential occupation in the region, with a road grid, ponds and mounds. These indicate that the temple precinct, bounded by moat and wall, may not have been used exclusively by the priestly elite, as was previously thought. The team used LiDAR, ground-penetrating radar and targeted excavation to map Angkor Wat.[29]
The temple is a powerful symbol of Cambodia, and is a source of great national pride that has factored into Cambodia's diplomatic relations with France, the United States and its neighbour Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863.[24] From a larger historical and even transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937.[25] Angkor Wat's aesthetics were also on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from c.1880 to the mid-1920s.[26]
The temple complex also contains a model of Angkor Wat (the most sacred of all Cambodian shrines). In 1860, King Mongkut ordered his generals to lead 2,000 men to dismantle Angkor Wat and take it to Bangkok. Modern scholars suggested that the king wanted to show that Siam was still in control of Cambodia, as France was seeking to colonise Cambodia at that time. However, the king's order could not be fulfilled. A royal chronicle written by Chaophraya Thiphakorawong, then foreign minister, recorded that many Thai men fell ill after entering Cambodian wilderness. The chronicle also stated that forest-dwelling Khmer people ambushed the Thai army, killing many leading generals. King Mongkut then ordered the construction of the model within Wat Phra Kaew, instead of the real Angkor Wat that could not be brought to Bangkok. Mongkut died before he could see the model. Its construction was completed in the reign of his son, Chulalongkorn.
Khmer art and architecture reached their aesthetic and technical peak with the construction of the majestic temple Angkor Wat. Other temples are also constructed in the Angkor region, such as Ta Phrom and Bayon. The construction of the temple demonstrates the artistic and technical achievements of the Khmer Empire through its architectural mastery of stone masonry.
List of architectural styles during Angkor period:
Zhou Daguan's description of Khmer houses:
Constructed more than two centuries before Angkor Wat, Phnom Bakheng was in its day the principal temple of the Angkor region, historians believe. It was the architectural centerpiece of a new capital, Yasodharapura, that Yasovarman built when he moved the court from the capital Hariharalaya in the Roluos area located to the southeast.
Towards the end of the 12th century, Angkor Wat gradually transformed from a Hindu centre of worship to Buddhism, which continues to the present day.[2] Angkor Wat is unusual among the Angkor temples in that although it was largely neglected after the 16th century it was never completely abandoned.[14] Fourteen inscriptions dated from the 17th century discovered in Angkor area testify to Japanese Buddhist pilgrims that had established small settlements alongside Khmer locals.[15] At that time, the temple was thought by the Japanese visitors as the famed Jetavana garden of the Buddha, which originally located in the kingdom of Magadha, India.[16] The best-known inscription tells of Ukondafu Kazufusa, who celebrated the Khmer New Year at Angkor Wat in 1632.[17]
Angkor Wat is the prime example of the classical style of Khmer architecture—the Angkor Wat style—to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested.[42]
The modern name, Angkor Wat (Khmer: អង្គរវត្ត) (alternate name: Nokor Wat, Khmer: នគរវត្ត),[7] means "Temple City" or "City of Temples" in Khmer; Angkor (Khmer: អង្គរ) meaning "city" or "capital city", is a vernacular form of the word nokor (Khmer: នគរ), which comes from the Sanskrit word nagara (Devanāgarī: नगर).[8] Wat (Khmer: វត្ត) is the Khmer word for "temple grounds", also derived from Sanskrit vāṭa (Devanāgarī: वाट), meaning "enclosure".[9]
Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory.[59] Angkor Wat architects employed small apsara images (30cm (12in)–40cm (16in)) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95cm (37in)–110cm (43in)) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewellery and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.[60]
As with most other ancient temples in Cambodia, Angkor Wat has faced extensive damage and deterioration by a combination of plant overgrowth, fungi, ground movements, war damage and theft. The war damage to Angkor Wat's temples however has been very limited, compared to the rest of Cambodia's temple ruins, and it has also received the most attentive restoration.[23]
Corpus Christi is the second and final studio album by Angkor Wat, released in 1990 by Metal Blade Records.
As in other Southeast Asian countries, the Rama story in Cambodia is not confined to the realm of literature but extends to all Cambodian art forms, from sculpture to dance drama, painting and art. Another epic, "Lpoek Angkor Vat" (“The Story of Angkor Wat”), which dates from the beginning of the 17th century, celebrates the magnificent temple complex at Angkor and describes the bas-reliefs in the temple galleries that portray the Rama story.
A further interpretation of Angkor Wat has been proposed by Eleanor Mannikka. Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, she argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honour and placate the deities manifest in the heavens above."[37][38] Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles.[35] She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.[39]
The Angkor Wat temple's main tower aligns to the morning sun of the Spring Equinox.[40][41]
Since around 1850, the Cambodian flag has featured a depiction of Angkor Wat in the centre. The current flag, with a blue border and red central (the stripes are in the ratio 1:2:1) was adopted following Cambodia's independence in 1948. It was used until 9 October 1970, when a new flag was introduced for Lon Nol's Khmer Republic that lasted until the takeover of the Khmer Rouge in 1975. The subsequent state of Democratic Kampuchea, which existed from 1975 to 1979, used a red flag with a three-towered Angkor Wat design retained in yellow beginning in 1976. The People's Republic of Kampuchea was established in 1979, after the Vietnamese invasion of Cambodia.
Live at Angkor Wat is a semi-acoustic live album by the alternative rock band Placebo, released on 12 December 2011. It was recorded at Angkor Wat in Cambodia on 7 December 2008, at the start of the "Battle for the Sun" tour. Placebo was the first rock band to play at the temple, which is a UNESCO World Heritage Site. The Angkor Wat concert had previously been released on DVD as part of the "Battle for the Sun" box set on 8 June 2009 and is currently only available separately in the iTunes Store, where it includes a ten-page PDF digital booklet.
According to legend, the construction of Angkor Wat was ordered by Indra to serve as a palace for his son Precha Ket Mealea.[10] According to the 13th-century Chinese traveller Zhou Daguan, some believed that the temple was constructed in a single night by a divine architect.[11]
The ruins of Angkor are located amid forests and farmland north of the Great Lake (Tonlé Sap) and south of the Kulen Hills, near modern-day Siem Reap city (13°24′N, 103°51′E), in Siem Reap Province. The temples of the Angkor area number over one thousand, ranging in scale from nondescript piles of brick rubble scattered through rice fields to the Angkor Wat, said to be the world's largest single religious monument. Many of the temples at Angkor have been restored, and together, they comprise the most significant site of Khmer architecture. Visitors approach two million annually, and the entire expanse, including Angkor Wat and Angkor Thom is collectively protected as a UNESCO World Heritage Site. The popularity of the site among tourists presents multiple challenges to the preservation of the ruins.
Beginning in 2010, Miriam T. Stark joined the third phase of research investigating what was deemed the “demise of Angkor”. This research project was conducted by the University of Sydney and was labeled as the Greater Angkor Project. The study examined occupational patterning in the Greater Angkor region and focused on locations such as the Angkor Wat temple. In both 2010 and 2012, Stark worked as a GAP III co-investigator in the Greater Angkor region, testing habitations in an attempt to determine residence of Angkorian and Post-Angkorian societies. Locations studied and tested included but were not limited to Angkor Wat, Ta Prohm, Wat Athvea, and Wat Prei Einkosei. Prior to this research, very little work had been done in regards to the study of residence in these regions.
The Angkor Wat Marathons are the annual Marathons held in Angkor, Cambodia. There are two marathons from Angkor recognised by the Association of International Marathons and Road Races namely Angkor Wat International Half Marathon and Angkor Empire Marathon. Angkor Wat International Half marathon is held annually since 1996. Angkor Empire Marathon is the first full marathon from Cambodia held since 2014. The event is organized by National Olympic Committee of Cambodia (NOCC). According to its official website, the purpose of the event is to "support a ban on the manufacture and inhumane use of antipersonnel mines".
The splendid artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country that had been under Siamese (Thai) control since AD 1351 (Manich Jumsai 2001), or by some accounts, AD 1431.[27] Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since that time. It is safe to say that from the colonial period onwards until the site's nomination as UNESCO World Heritage in 1992, this specific temple of Angkor Wat was instrumental in the formation of the modern and gradually globalised concept of built cultural heritage.[28]
Suryavarman II (1113 - 1150), one of the greatest Angkorian monarchs, expanded his kingdom's territory in a series of successful wars against the kingdom of Champa in central Vietnam and the small Mon polities as far west as the Irrawaddy River of Burma. He reduced to vassalage the Thai peoples who had migrated into Southeast Asia from the Yunnan region of southern China and established his suzerainty over the northern part of the Malay Peninsula. His greatest achievement was the construction of the temple city complex of Angkor Wat. The largest religious edifice in the world, Angkor Wat is considered the greatest single architectural work in Southeast Asia. However, territorial expansion came to a halt when Suryavarman II was killed in battle attempting to invade Đại Việt. With Đại Việt's support, the Cham quickly drove Khmer presence out of Champa territory. Suryavarman II's reign was, unfortunately, then followed by thirty years of dynastic upheaval and an invasion in revenge by the neighbouring Cham, who destroyed the city of Angkor in 1177.
In the early days of Angkor, the worship of Vishnu was secondary to that of Shiva. The relationship seems to have changed with the construction of Angkor Wat by King Suryavarman II as his personal mausoleum at the beginning of the 12th century. The central religious image of Angkor Wat was an image of Vishnu, and an inscription identifies Suryavarman as "Paramavishnuloka," or "he who enters the heavenly world of Vishnu." Religious syncretism, however, remained thoroughgoing in Khmer society: the state religion of Shaivism was not necessarily abrogated by Suryavarman's turn to Vishnu, and the temple may well have housed a royal lingam. Furthermore, the turn to Vaishnavism did not abrogate the royal personality cult of Angkor. by which the reigning king was identified with the deity. According to Angkor scholar Georges Coedès, "Angkor Wat is, if you like, a vaishnavite sanctuary, but the Vishnu venerated there was not the ancient Hindu deity nor even one of the deity's traditional incarnations, but the king Suryavarman II posthumously identified with Vishnu, consubstantial with him, residing in a mausoleum decorated with the graceful figures of apsaras just like Vishnu in his celestial palace." Suryavarman proclaimed his identity with Vishnu, just as his predecessors had claimed consubstantiation with Shiva.
Angkor Wat lies 5.5 kilometres (3.4mi) north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. In an area of Cambodia where there is an important group of ancient structures, it is the southernmost of Angkor's main sites.