Instruct: Given a question, retrieve relevant documents that can help answer the question.
Query: What was the running time of the film Enter the Void?
Distribution rights for the United States were picked up at Sundance by IFC Films.[40] Trinity Filmed Entertainment was the British distributor.[41] The film was released in the United States and the United Kingdom on 24 September 2010.[42][43] In both these countries, the film was distributed without the seventh of its nine reels. The running time was therefore 137 minutes at 25 frames per second, which the director had instructed that the film should be played at, or 142 minutes at the more common 24 frames per second.[41][44] Noé says that none of the cut material is essential for the film. He describes it as "some astro-visions, an orgy scene with Linda and the Japanese girl, the scene where you see [Oscar] waking up at the morgue and he thinks he's alive but he's not, and then the camera goes down the plughole where she's tipping his ashes."[10] The reason the shorter version was made was that Noé had promised the investors to make an alternative edit if the film ended up being longer than two hours and 20 minutes.[45] The film was released on DVD and Blu-ray Disc in France on 1 December 2010. Each edition features both the complete version and the shorter cut.[30][46]
Festival screenings of subsequent versions followed throughout the year, including the Toronto, Sitges, London, and Stockholm international film festivals.[37] The final 154-minute cut premiered at the 2010 Sundance Film Festival.[16] At the Cannes premiere, the film had alternatively been listed with the French title Soudain le vide, which means "Suddenly the void".[35]
The Great Void is a vast stretch of the Void surrounding the Known Universe. Due to the lack of planets or even substantial rocks, preventing placing even a small resupply point for ships, it has for a long time been an impassable barrier, and the object of many tales regarding what (if anything) lies beneath. Recently however, Cristobal Catarribera y Natalez Salazar de Vela, the Dragon Prince, ruler of the Dragon Dwarves led an expedition meant to traverse and see what lies beyond the Great Void.
Reynolds' psychological problems, however, have worsened. Unable to reconcile that Robert Reynolds, the Sentry, and the Void are the same being, the Sentry contains the Void in a vault in the Watchtower. At CLOC's urging, Reynolds' psychiatrist Dr. Cornelius Worth enters the vault and finds only a chair and a mirror. Dr. Cornelius realizes that the Void is not imprisoned at all. Later, during an office visit, Cornelius confronts Robert with this fact, showing him newspaper articles that indicate that the Sentry's heroic exploits are seemingly balanced in equal measure to other horrific deeds committed by the Void. Dr. Worth asked Robert to manifest the Sentry, so he can speak to him, but Robert refuses. Reynolds becomes angry and confused, changing forms back and forth between the Sentry and the Void, before leaping through (and breaking) an office window. Dr. Worth follows Robert, finding him at the fairgrounds where he first gained his powers. The fairgrounds have been destroyed, and all the patrons evacuated, running out screaming.
As with any patient, a detailed history of the problem is required to establish what is normal for the patient and what isn’t. The principal diagnostic tool for nocturia is the voiding bladder diary. Based on information recorded in the diary, a physician can classify the patient as having polyuria, nocturnal polyuria, or bladder storage problems. Timing of voids, number of voids, and volume of urine voided should be recorded in the diary. Volume of fluid intake and time of intake should also be recorded. Patients should include the first morning void in the NUV, however, the first morning void is not included with the number of nightly voids.
Enter the Void holds a 70-percent approval rating on review aggregator website Rotten Tomatoes, based on 88 English-language reviews, with an average rating of 6.7/10.[18] On Metacritic, the film holds a score of 69 out of 100, based on 19 critics, indicating "generally favorable reviews."[19] Peter Bradshaw included the film in The Guardian's top 50 films of the decade so far,[20] and gave it five stars out of five. In a 2016 international critics' poll conducted by BBC, three critics listed Enter the Void as one of the greatest motion pictures since 2000.[21]
Cinematic context Cinema of France Oneiric (film theory) Lists List of drug films List of films featuring hallucinogens List of films set in Japan List of ghost films Thematically related Near-death experience Recreational drug use
Upon the Japanese release, the critic writing for The Japan Times reflected: "If Lost in Translation is the film you'd make when all you know about Japan are the pampered press junkets at Shinjuku 5-star hotels, then Enter the Void is what you would make if you never got beyond the Roppongi pub-crawl." While the review was largely negative, the author was still impressed by the visual depiction of the Japanese capital: "Visually, much of the film is stunning ... and the art design by Marc Caro (Delicatessen) takes Tokyo's love of neon gaudiness to a surreal extreme".[39]
Enter the Void is a 2009 English-language drama art film[6] written and directed by Gaspar Noé and starring Nathaniel Brown, Paz de la Huerta, and Cyril Roy. Set in the neon-lit nightclub environments of Tokyo, the story follows Oscar, a young American drug dealer who gets shot by the police, but continues to watch subsequent events during an out-of-body experience. The film is shot from a first-person viewpoint, which often floats above the city streets, and occasionally features Oscar staring over his own shoulder as he recalls moments from his past. Noé labels the film a "psychedelic melodrama".[7]
"What a culture shock," he reflected later. "I’m still reeling. In Connecticut there wasn’t a hot rod in sight. Out here it was people racing up and down the street, building their own cars—it was teenage paradise, the kids were running everything." He attended UCLA where he majored in economics and political science. While waiting for his real estate licence to come through, Armitage entered the film industry in 1965 via the mail room at 20th Century Fox. He later said:
I have a very personal relationship to film. I've gone to films all the time since I was a kid. I thought I could have some fun trying to make them. I always thought I was pretty close to what people were thinking. There's lots of tricks to be played, things to be done in film. Film is so close to the way the mind works - the way the mind communicates with itself. Film is a dream, an emotional coda.
Armitage later recalled, "The counterculture movement had begun, and the people running Fox, especially in the television division, were these 30-ish hipsters, kind of jazz guys. Suddenly I was a person, being 20 or 21, who could explain to them what was going on, and I became very valuable on the lot." He started writing screenplays in his spare time.
"The Void" had its world premiere at Fantastic Fest on September 22, 2016. The film received its Canadian premiere at Toronto After Dark Film Festival on October 17. Screen Media Films negotiated the deal with XYZ Films and CAA for both theatrical and video on demand day-and-date release of "The Void" in the United States on April 7, 2017. "The Void" opened in Winnipeg on March 31, Toronto on April 1, Ottawa and Calgary on April 7 and Vancouver on April 8 where it was distributed by D Films.
where "f" denotes an operation and "x" denotes a reference to some object. At execution time, however, a reference can be "void" (or "null"). In such cases, the call above will be a void call, leading to a run-time exception, often resulting in abnormal termination of the program.
A void marriage is a marriage which is unlawful or invalid under the laws of the jurisdiction where it is entered. A void marriage is "one that is void and invalid from its beginning. It is as though the marriage never existed and it requires no formality to terminate."
Enter the Void holds a 70% approval rating on review aggregator website Rotten Tomatoes, based on 88 English-language reviews, with an average rating of 6.7/10.[50] On Metacritic, the film holds a score of 69 out of 100, based on 19 critics, indicating "generally favorable reviews".[51]
Noé first tried to get the film funded in the early 2000s. Several producers responded positively to the script, and it was briefly under development for Tom Tykwer's German company X-Filme Creative Pool. It was considered too expensive and the producers dropped out.[12][13] Prospects changed when Irréversible (2002) became a commercial success. Noé had written and directed Irréversible for StudioCanal, and it was sold internationally by their subsidiary, Wild Bunch. When the producers at Wild Bunch asked Noé what he wanted to do next, he answered Enter the Void. The project was once again considered too expensive in relation to its commercial potential, but when Wild Bunch discovered that Noé had started to develop the film for Pathé instead of them, they said that they were willing to fund it. Since development went slowly at Pathé, Noé chose to not renew his contract with the studio and accepted Wild Bunch's offer.[13]
Hal escapes The Void and enters the Blue Fire to travel through time and set in motion events to bring back the original leader of the Brothers and Sisters of Dragons, Jack Churchill, as Existence's last hope in the battle with the Void.
Enter the Void won the Special Jury Award and the prize for Best Cinematography at the 2009 Sitges Film Festival.[61] It received the main award for best film at the 2010 Neuchâtel Film Festival.[62] This especially delighted Noé, since one of the jury members in Neuchâtel was Douglas Trumbull, the special effects supervisor of 2001: A Space Odyssey.[45]
Enter the Void is, in its way, just as provocative, just as extreme, just as mad, just as much of an outrageous ordeal[.] ... But despite its querulous melodrama and crazed Freudian pedantries, it has a human purpose the previous film lacked, and its sheer deranged brilliance is magnificent. ... Love him or loathe him – and I've done both in my time – Gaspar Noé is one of the very few directors who is actually trying to do something new with the medium, battling at the boundaries of the possible.[53]
A central concept to the race is "Juffo-Wup", the hot light in the darkness, which is like a religion for the Mycon. Mycon live for it, and only for it. Juffo-Wup seems to be positive, connected to them or their spread. Related are the "Non", what is not Juffo-Wup, and "Void", what Non that does not become Juffo-Wup must become Void. Juffo-Wup seems to refer to the Mycon and anything under their control, Non is other life and planets that the Mycon have not yet violently terraformed to their liking, and Void is anything else, such as space or dust. The Mycon claim that Juffo-Wup recognizes Non that cannot be turned into Void at a certain time. The Ur-Quan are an example of this. Instead, the Mycon will attempt to ally with the Non until such time as they can destroy it, turning it into Void.
As the travels continue, each female does find what she is looking for, eventually, although Smash's strength saps out of him a little at a time as his soul is gradually recalled as the days pass. Smash makes periodic forays into the gourd world, with the help of a magical and infinite ball of string to mark his way, in search of the Night Stallion, overcoming various world challenges, most of which require both his ogre strength and human intelligence to solve. Finally, when only Chem and Tandy are left with Smash, they come upon the dread Elements region and face a flood in the water region that washes off the Eye Queue vine from Smash's head, right before they enter the most dangerous Void region. As they enter the void, they come to realise that they are trapped and must find a way to get out, which they can't do without Smash's useful intelligence. Smash, using the Void's properties, manages to get his illusion of intelligence back (though at this point it is no longer illusory), and enter the gourd one last time, where he finally finds the Night Stallion and faces new challenges that require all his newfound human intelligence as well as his ogre strength and stubbornness to overcome.
The thought of acting in a film had never even entered their minds. They're easy-going people, they have a good time in front of the camera and I don't think there was a single moment where either of them felt they were working. Paz, however, was definitely conscious of the fact that she was interpreting a role.[7]
Void first performed in D.C. at a Wilson Center hardcore festival organized by Bad Brains, where the group was one of 15 bands present. The band was notorious for its live act, which thrived off Weiffenbach's chaotic stage persona and his manic vocals. Additionally, Void's sound was marked by alternating blasts of power chords and shrieking feedback within brief but upbeat songs, creating a higher degree of intensity than most of their contemporaries. In 1981, Void entered the studio for the first time, cutting demos titled "Condensed Flesh" at record producer Don Zientara’s Inner Ear Studios. Songs from the session and additional studio time later in the year later surfaced on the "Condensed Flesh" EP in 1992. Shortly thereafter, Ian MacKaye signed Void to his co-owned label Dischord Records, and the group made their debut in January 1982 on the compilation album "Flex Your Head", which featured the three songs "Dehumanized", "Authority", and "My Rules".
Enter the Void was produced under Fidélité Films, with 70% of the budget invested by Wild Bunch. French co-producers included Noé's company Les Cinémas de la Zone and the visual effects studio BUF Compagnie. It received pre-sales investment from Canal+ and funding from Eurimages. Additional co-production support was provided by Essential Filmproduktion of Germany and BIM Distribuzione of Italy.[14][15] The total budget was 12.38 million euro.[14] In retrospect, Noé called Irréversible a bank robbery, a film made in order to finance Enter the Void. He also saw it as a helpful technical exercise.[16]
Killia is unable to master the Final Skill due to the inner conflict with his current self and his former bloodthirsty self, so he hurt and runs away from Goldion. Lieze follows him. Void confronts Killia demanding his sister back. He defeats Killia and steals his Overload Alma Ice Sculpture, which freezes time around an object. As Void is about to kill Killia, Lieze jumps in the way and is killed. Killia leaves in grief, but unknown to him, Void freezes time around Lieze. He then changes his name to Void Dark and forms an army known as The Lost, seemingly with the goal of universal domination, but in reality he wants to search for a way to resurrect Lieze. Goldion attempts to stop Void Dark but is defeated due to the injury he suffered earlier from Killia. While imprisoned, he is tended to by a child captured by The Lost named Zeroken, to whom Goldion warms up to and teaches the Ultimate Demon Technique, excluding the Final Skill. Later, Void Dark brainwashes Goldion and turns him into Demon General Bloodis, whose identity is concealed by armor. Zeroken runs away from The Lost in shame following this.
Bangalter was the sound effects director for the 2009 film "Enter the Void", his second work with filmmaker Gaspar Noé following "Irréversible". He initially had been approached by Noé to compose the soundtrack of "Enter the Void", but Bangalter was preoccupied with work on the "" score at the time. Bangalter instead provided various clips of drones and ambiance for the film to be accompanied by music by other artists from the 1960s and 70s. He is billed in the credits as sound effects director, and the film features his track "Désaccords" originally composed for "Irréversible".