Instruct: Given a question, retrieve passages that answer the question.
Query: What does the symbol for silver Ag come from?
Silver is a chemical element with symbol Ag (from the Latin argentum, derived from the Proto-Indo-European h₂erǵ: "shiny" or "white") and atomic number 47. A soft, white, lustrous transition metal, it exhibits the highest electrical conductivity, thermal conductivity, and reflectivity of any metal. The metal is found in the Earth's crust in the pure, free elemental form ("native silver"), as an alloy with gold and other metals, and in minerals such as argentite and chlorargyrite. Most silver is produced as a byproduct of copper, gold, lead, and zinc refining.
The Homeless King captures Sam, but eventually lets him go, stating that the members of the conspiracy probably won't kill Sam, although he is not certain. When he comes back to his apartment complex, Sam spends the night with a neighbor whose parrot keeps on saying incomprehensible words, although she too does not know what words he is saying. From her balcony, Sam sees his landlord and a police lady entering his apartment to evict him because he didn't pay his rent. The two realize that the wall has been painted with a strange symbol, which Sam knows to be a message left by the conspiracy members to remind him to keep quiet.
Sarah is a 12-year-old English-American girl who likes to make friends. She is very friendly and loves to encourage others to do their best and have fun. She comes from a rich family, but does not consider herself better than others because of it. Sarah has wavy blonde hair with bleached highlights and light blue eyes. She also has silver hoop earrings with silver studs in her ears. Sarah's shown to wear a red riding jacket with a matching red necktie and white pants in most episodes. She has been seen in younger ages and different hairstyles in flashbacks. She is voiced by Dana Donlan.
Sarah's horse is Scarlet, a purebred black Arabian mare who has a long, black mane and tail with red highlights. Scarlet is fearless, level-headed, and regal, but at times can be moody and prefer to be left alone. She is patient and loving, much like her owner, and is great with kids. Her symbol is a red crown, representing royalty. She is voiced by Andrea Ware.
When Jean Hyppolite asks: "What use does the Symbolic have?" Lacan answers: "The Symbolic, the Imaginary and the Real are useful in giving its meaning to a particularly pure symbolic experience, that of analysis." Since the symbolic dimension is the only dimension that cures, "The symbolic order is simultaneously non-being and insisting to be, that is what Freud has in mind when he talks about the death instinct as being what is most fundamental: a symbolic order in travail, in the process of coming, insisting in being realized."
On a symbolical level, the "transvisible" could be epitomized by an arrow shot from the visible and that would vanish in the invisible. As the symbol of a philosophy of destiny and of evolution, the transvisible is the moment between what is "already no more" and what is "yet to come", a moment with dreamlike qualities, when the mind itself passes from day-time subconscious to evening slumber and sometimes premonitory dream. According to Henri Bergson, it is the first function of consciousness to hold onto what is no more in order to look into the future.
Comics scholar Arnold T. Blumberg places the end of the Silver Age in June 1973, when Gwen Stacy, girlfriend of Peter Parker (Spider-Man) was killed in a story arc later dubbed "The Night Gwen Stacy Died", saying the era of "innocence" was ended by "the 'snap' heard round the comic book world — the startling, sickening snap of bone that heralded the death of Gwen Stacy." Silver Age historian Craig Shutt disputes this, saying, "Gwen Stacy's death shocked Spider-Man readers. Such a tragedy makes a strong symbolic ending. This theory gained adherents when Kurt Busiek and Alex Ross' "Marvels" miniseries in 1994 ended with Gwen's death, but I'm not buying it. It's too late. Too many new directions — especially [the sword-and-sorcery trend begun by the character] Conan and monsters [in the wake of the Comics Code allowing vampires, werewolves and the like] — were on firm ground by this time." He also dismisses the end of the 12-cent comic book, which went to 15 cents as the industry standard in early 1969, noting that the 1962 hike from 10 cents to 12 cents had no bearing in this regard. Shutt's line comes with "Fantastic Four" #102 (Sept. 1970), Jack Kirby's last regular-run issue before the artist left to join DC Comics; this combines with DC's "Superman" #229 (Aug. 1970), editor Mort Weisinger's last before retiring.
According to historian Peter Sanderson, the "neo-silver movement" that began in 1986 with "" by Alan Moore and Curt Swan, was a backlash against the Bronze Age with a return to Silver Age principles. In Sanderson's opinion, each comics generation rebels against the previous, and the movement was a response to "Crisis on Infinite Earths", which itself was an attack on the Silver Age. Neo-silver comics creators made comics that recognized and assimilated the more sophisticated aspects of the Silver Age.
Hg is the modern chemical symbol for mercury. It comes from "hydrargyrum", a Latinized form of the Greek word Ύδραργυρος ("hydrargyros"), which is a compound word meaning "water-silver" (hydr- = water, argyros = silver) — since it is liquid like water and shiny like silver. The element was named after the Roman god Mercury, known for speed and mobility. It is associated with the planet Mercury; the astrological symbol for the planet is also one of the alchemical symbols for the metal. Mercury is the only metal for which the alchemical planetary name became the common name.
Coins played an important role in Viking age trade with many of the coins used by Vikings coming from the Islamic world. In Gotland more than 80,000 silver Viking age Arab silver dirhams have been found with another 40,000 in mainland Sweden. These numbers are likely only a fraction of the total influx of Arab currency into Viking Age Scandinavia as a great deal of silver coins were also likely melted down to make other silver objects. In Iceland Archaeological evidence suggests that while coins may not have been as prevalent as they were in Scandinavia they still played an important role in daily life and as a status symbol. Coins also carried symbolic power. A series of coins minted during the 9th century that were meant to look like coins from the Carolingian empire might have been intended for use as a political symbol resisting the Empire reach and influence.
The Trogener Coat of Arms dates from 1979.
Blazon: Above silver Zinnenschildfuß in black a growing red-armored and crowned golden lion holding in his forelegs a shield divided by silver, red and black.
The three pinnacles symbolize the three knight seats (Wasserburg, Trogen-Zech, and Oberes Gut). The lion stands as a symbol of the former governors of Weida. 
The shield comes from the coat of arms of the barons of Feilitzsch.
The "midworld" was one of Miller’s central ideas and also one of his most difficult to understand. First it needs to be stated that the midworld of symbols and what Miller called ‘’functioning objects’’, is part of his answer to the problem of universals. What are these universals that are part of the process of definition? How do they arise? How do they relate to particulars? Miller’s response to these age-old questions was to say that universals are always embodied and they are always applied (and so made evident) in action. Just so, the idea of space is established in measuring devices like rulers. Instruments such as clocks determine the idea of time. The idea of justice is founded in judicial courts. Rulers, clocks, courts—these are all symbolic objects or practices. They are also "functioning objects" in the sense that a ruler is only different from another piece of wood in terms of what one does with it; they are symbolic objects that exist in use and in no other way.
Members believe there are messages in temple symbols. These messages come in forms of what the symbols in reality represent and even beyond what they represent. Members believe that “No man or woman can come out of the temple endowed as he should be, unless he has seen, beyond the symbols, the mighty realities for which the symbols stand” 
A Midrash taught that in the words of "And, behold, there came up out of the river seven cows," God hinted to Pharaoh what his dream symbolized, for plenty does not come to Egypt other than from the Nile River, and likewise famine does not come to Egypt other than from the Nile River.
Nine elements were known by the Middle Ages – gold, silver, tin, mercury, copper, lead, iron, sulfur, and carbon. Mercury was named after the planet, but its symbol was derived from the Latin "hydrargyrum", which itself comes from the greek "υδράργυρος", meaning liquid silver; mercury is also known as quicksilver in English. The symbols for the other eight are also derived from descriptions of their properties in Latin.
Do watch it and find out how Saram falls in love with Imaan when they live in two different countries. What happens to Dr. Ahsan? What happens with Aryan and Denial's love story? Whom does Isha love? Does Amna ever comes to know about Sadia and do they ever come to know about their sons? What happens with Sofie and Sami? How does Imaan recover and does she ever meet her mother again?
Although scholars are generally in agreement that "Poetical Sketches" is far from Blake's best work, it does occupy an important position in Blakean studies, coming as it does as the very outset of his career. In 1947, for example, Northrop Frye declared in "Fearful Symmetry" that although "Poetical Sketches" is not regarded as a great piece of work, "it is of the highest importance to us, partly because it show Blake's symbolic language in an emergent and transitional form, and partly because it confirms that Blake is organically part of his literary age."
Other than the official ceremonies organized by the state, few special ceremonies held in the home to celebrate coming of age. The practice is to offer greetings or a gift to the person reaching adulthood. Generally, friends celebrate on Coming of Age Day with a gift of roses, perfumes, kisses, or according to each person's request. Roses symbolize ongoing passion and love, and at the traditional age of 20 (now 19), 20 roses were given to mark the person’s age. Perfume symbolizes good memories, represented in the form of scents. Kissing symbolizes a responsible love, accompanying the attainment of maturity with adulthood.
Hg is the modern chemical symbol for mercury. It comes from hydrargyrum, a Latinized form of the Greek word ὑδράργυρος (hydrargyros), which is a compound word meaning "water-silver" (from ὑδρ- hydr-, the root of ὕδωρ, "water," and ἄργυρος argyros "silver") – since it is liquid like water and shiny like silver. The element was named after the Roman god Mercury, known for his speed and mobility. It is associated with the planet Mercury; the astrological symbol for the planet is also one of the alchemical symbols for the metal; the Sanskrit word for alchemy is Rasavātam which means "the way of mercury".[15] Mercury is the only metal for which the alchemical planetary name became the common name.[16]
Almost even more pervasive than alcohol in the story is the theme of identity. Wes has never been able to create an individual identity apart from things in his life (possibly because he was married and had two children by the age of 19). Originally, he finds his identity in alcohol but is able to replace that identity with one wrapped up in Chef's house. Chef's house comes to symbolize his recovery, safety, and a better life, however, no matter what he does, Wes cannot escape the fact that ultimately the house belongs to Chef as well as everything inside it. Thus, it can never be his own identity. That realization devastates Wes, and causes him to turn back to his original identity involving alcohol. 
Gauguin had been a student at the Petit Séminaire de La Chapelle-Saint-Mesmin, just outside Orléans, from the age of eleven to the age of sixteen. His subjects there included a class in Catholic liturgy; the teacher for this class was the Bishop of Orléans, Félix-Antoine-Philibert Dupanloup. Dupanloup had devised his own catechism to be lodged in the minds of the young schoolboys, and to lead them towards proper spiritual reflections on the nature of life. The three fundamental questions in this catechism were: "Where does humanity come from?" "Where is it going to?", "How does humanity proceed?". Although in later life Gauguin was vociferously anticlerical, these questions from Dupanloup's catechism obviously had lodged in his mind, and "where?" became the key question that Gauguin asked in his art.
Louis Dupré differentiates between signs and symbols, proposing that a sign points to something while a symbol represents it. A symbol holds its own meaning: rather than merely pointing someone towards another object, it takes the place of and represents that object. He believes that a symbol has some ambiguity which does not exist with a sign. Dupré believes that a symbol may deserve respect because it contains what is signified within itself. A symbol reveals a reality beyond what is already perceived and transforms the ways the current reality is perceived. Dupré differentiates between religious and aesthetic symbols, suggesting that a religious symbol points towards something which "remains forever beyond our reach". He proposed that a religious symbol does not reveal the nature of what it signifies, but conceals it.
Silver is a chemical element with symbol Ag and atomic number 47.
The first of these symbols were intended to be fully universal. Since Latin was the common language of science at that time, they were abbreviations based on the Latin names of metals. Cu comes from Cuprum, Fe comes from Ferrum, Ag from Argentum. The symbols were not followed by a period (full stop) as with abbreviations. Later chemical elements were also assigned unique chemical symbols, based on the name of the element, but not necessarily in English. For example, sodium has the chemical symbol 'Na' after the Latin "natrium". The same applies to "W" (wolfram) for tungsten, "Fe" (ferrum) for iron, "Hg" (hydrargyrum) for mercury, "Sn" (stannum) for tin, "K" (kalium) for potassium, "Au" (aurum) for gold, "Ag" (argentum) for silver, "Pb" (plumbum) for lead, "Cu" (cuprum) for copper, and "Sb" (stibium) for antimony.
Although the advent of anatomical physical modernity cannot confidently be linked with palaeoneurological change,[43] it does seem probable that hominid brains evolved through the same selection processes as other body parts.[44] Genes that promoted a capacity for symbolism may have been selected for, suggesting that the foundations for symbolic culture may well be grounded in biology. However, behavior that was mediated by symbolism may have only come later, even though this physical capacity was already in place much earlier. Skoyles and Sagan, for example, argue that human brain expansion by increasing the prefrontal cortex would have created a brain capable of symbolizing its previously non-symbolic cognition, and that this process, slow to begin with, increasingly accelerated during the last 100,000 years.[45] Symbolically mediated behavior may then feed back upon this process by creating a greater ability to manufacture symbolic artifacts and social networks. According to the research team in Jebel Irhoud, the discovery means that Homo sapiens — not members of a rival or ancestor species (Homo heidelbergensis, Homo naledi) — were the ones who left behind Middle Stone Age hand tools that have since been unearthed all over Africa.[46]
The descriptive phase exhibits the centrifugal, or outward, property of a symbol. For example, when a word such as 'cat' evokes a definition, image, experience or any property connected with the word 'cat' external to the literary context of the particular usage, we have the word taken in the descriptive sense. Frye labels any such symbol a "sign". He does not define the sign beyond this sense of pointing to the external, nor does he refer to any particular semiotic theory. In opposition to the sign stands the "motif" which is a symbol taken in the literal phase. This phase demonstrates the inward, or centripetal, direction of meaning, best described as the contextual meaning of the symbol. To Frye, "literal" means nearly the opposite of its usage in common speech; to say that something "literally" means something generally involves referring to a definition external to the text. Instead, "literal" refers to the symbol's meaning in its specific literary situation while "descriptive" refers to personal connotation and conventional definition. Finally, Frye draws an analogy between rhythm and harmony with the literal and descriptive phases respectively. The literal phase tends to be horizontal, dependent on what comes before and after the symbol while the descriptive phase tends to be laid out in space, having external meanings that vary in nearness to the contextual meaning.
The heavy silver Whitecleuch Chain has Pictish symbols on its terminals, and appears to be an equivalent to a torc. The symbols are also found on plaques from the Norrie's Law hoard. These are thought to be relatively early pieces. The St Ninian's Isle Treasure of silver penannular brooches, bowls and other items comes from off the coast of Pictland and is often regarded as mostly of Pictish manufacture, representing the best survival of Late Pictish metalwork, from about 800 AD. 