Instruct: Given a question, retrieve relevant passages that answer the question.
Query: How does Counter-IED work?
Counter-IED efforts are done primarily by military and law enforcement (led by intelligence efforts) with the assistance of the diplomatic and financial communities. It involves a comprehensive approach of countering the threat networks that employ improvised explosive devices (IEDs), defeating the devices themselves, and training others. Counter-IED, or C-IED, is usually part of a broader counter-terrorism, counter-insurgency, or law enforcement effort. Because IEDs are a subset of a number of forms of asymmetric warfare used by insurgents and terrorists, C-IED activities are principally against adversaries and not only against IEDs. C-IED treats the IED as a systemic problem and aims to defeat the IED System.
That was the number one thing I got hit with in the first fight, so I did work a lot against guys with good kicks and was working on checking them a lot. I did think that if he's going to go that hard on kicks, as he usually does, if I catch it on my knee it could really hurt him. But it's still crazy how that happened.
Glasspool thought Harry did genuinely like Cleo, saying "She's the first friend he made when he arrived. I think Harry does have feelings for her, but at the same time, you do get a sense that he's using her just to distract people and keep up an image. Harry does seem to be fond of Cleo and he does really like her, but it'll be interesting to see how it works out for both of them. I suppose it is a bit mean leading her on if he's not really interested!" 
50 Cent sings the chorus while Tony Yayo and Young Buck and Lloyd Banks rap on their own verses. The song tells the story of how the rappers are engaging in a relationship with the same woman, though she does not know they know, and how they know she does not love any of them because her obvious flirtatiousness and love for other rappers. Several other rappers and performers are mentioned in the song along with examples of what she does that proves she does not truly love any of her men, as evidenced by the chorus (""I know you don't love me, you ain't the same when Jay-Z's around / I know you don't love me / I know you don't love me, you scream and holla when Eminem's in town.").
Saarinen described GCM weak keys. This work gives some valuable insights into how polynomial hash-based authentication works. More precisely, this work describes a particular way of forging a GCM message, given a valid GCM message, that works with probability of about for messages that are bits long. However, this work does not show a more effective attack than was previously known; the success probability in observation 1 of this paper matches that of lemma 2 from the INDOCRYPT 2004 analysis (setting and ). Saarinen also described a GCM variant Sophie Germain Counter Mode (SGCM) based on Sophie Germain primes.
Polarization occurs between two parts when they are battling each other to determine how a person feels or behaves in a certain situation. Each part believes that it must act as it does in order to counter the extreme behavior of the other part. IFS has a method for working with polarized parts.
"I Don't Know How She Does It" opened at #6 on its opening weekend with $4,402,201. It earned $9,662,284 in the United States as well as $20,889,211 internationally for a worldwide total of $30,551,495.
As an example, think of a supermarket. In this supermarket the checkout system is being upgraded to a newer version. Imagine that only the checkout counters of the vegetable section are changed over to the new system, while the other counters carry on with the old system. If the new system does not work properly, it would not matter because only a small portion of the supermarket has been computerised. If it does work, staff can take turns working on the vegetable counters to get some practice using the new system.
Nurses use and encounter technology in nearly every aspect of their profession. What does it mean to be technologically competent? What does it mean to be a caring nurse? How does technology support nursing work? How does it hinder nursing work? How can nurses care for their patients as technological advancements are introduced nearly every day? "Technological Competency as Caring in Nursing: A Model for Practice" provides insight and answers into how nurses can express their nursing by being technologically competent. As such, Locsin sustains the understanding that being technological competent is being caring.
"I Don't Know How She Does It" was released for North American audiences on September 16, 2011.
JIDO works with private industry and requests for proposals are regularly posted on the JIEDDO BIDS Portal. JIEDDO's counter-IED capability areas include countering threat-networks, detection, neutralizing IEDs, limiting homemade explosives, information integration and fusion to increase situational awareness, weapons technical intelligence, and counter-IED training.
Even work does not take the pain away. I may be diving for my own pleasure or showing others how to do so, but when I return to the shop, it seems empty without you. I stock and order as I always did, but even now, I sometimes glance over my shoulder without thinking and call for you. As I write this note to you, I wonder when, or if, things like that will ever stop.
I had the original idea of how the machine would work and it was my patent, but it was a joint effort getting it to work in a saleable form. It was 3 years of very hard work. I had originally studied heavy electrical engineering before changing over to Medical School and qualifying as a Medical Doctor in 1968. In fact I was Senior House (Casualty) Officer (A&E or ER) in 1970 at North Manchester General Hospital when I filed the patent. I must have been the only hospital doctor in Britain with an oscilloscope, a soldering iron and a drawing board in his room in the Doctors’ Residence. The housekeepers were bemused by all the wires. Frank originally trained as a Banker but quit to take a job with a local electronics firm during the development. He died in 1987, a terrible loss. ["Extract from personal communication received in March 2010 from John Kirby."] 
Frank and John Kirby and their associate Rodney Lester were pioneers in pharmacy automation and small-object counting technology. In 1967, the Kirbys invented a portable digital tablet counter to count tablets and capsules. With Lester they formed a limited company. In 1970, their invention was patented and put into production in Oldham, England. The tablet counter aided the pharmacy industry with time-consuming manual counting of drug prescriptions.
As well as Stanislavski's early work, the ideas and techniques of Yevgeny Vakhtangov (a Russian-Armenian student who had died in 1922 at the age of 39) were also an important influence on the development of the Method. Vakhtangov's "object exercises" were developed further by Uta Hagen as a means for actor training and the maintenance of skills. Strasberg attributed to Vakhtangov the distinction between Stanislavski's process of "justifying" behaviour with the inner motive forces that prompt that behaviour in the character and "motivating" behaviour with imagined or recalled experiences relating to the actor and substituted for those relating to the character. Following this distinction, actors ask themselves "What would motivate me, the actor, to behave in the way the character does?" rather than the more Stanislavskian question "Given the particular circumstances of the play, how would I behave, what would I do, how would I feel, how would I react?"
The inaccuracy of the people counter is a major factor that prevents most retail stores from adopting one in their premise. Without any visibility of how the algorithm of people counting works, it is difficult to quantify the accuracy of the people counter.
For example, if three people walk together as a group into the building, are they counted as three people separately or are they considered as one person?
This issue is not as prevalent with recent models of people counters as there is now a video recorder built into each people counter that allows the user to effectively determine the accuracy of the people counters.
Combat Hunter Training teaches how to track the emplacer by combined hunter and tracker skills and with determining group dynamics - as an example - using the "street smarts" developed by law enforcement who work in the cities.[9][10]
Naughton first saw "Super Size Me" as part of his research into a comedy piece he was working on about prejudice against fat people, saying, "I watched "Super Size Me" as part of my research. But the premise and the rather large gaps in logic annoyed me so much, I decided I needed to create a reply. I know some other filmmakers went on McDiets and documented how they lost weight, but as far as I could tell, they weren't funny. If it's true what Mencken said, that the cure for contempt is counter-contempt, then the cure for a funny documentary that's full of bologna is a funny documentary that isn't."
Richter explained his approach to performance as follows: "The interpreter is really an executant, carrying out the composer's intentions to the letter. He doesn't add anything that isn't already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a thing of genius and that is reflected in him. He shouldn't dominate the music, but should dissolve into it." "I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror ... Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart."
Allison Pearson (née Judith Allison Lobbett; born 22 July 1960) is a Welsh author and newspaper columnist. Her novel "I Don't Know How She Does It", published in 2002, has been made into a movie of the same name starring Sarah Jessica Parker. "I Think I Love You", her second novel, was published in 2010. A sequel to "I Don't Know How She Does It" was announced in 2015.
The brain arguments in particular deny strong AI if they assume that there is no simpler way to describe the mind than to create a program that is just as mysterious as the brain was. He writes "I thought the whole idea of strong AI was that we don't need to know how the brain works to know how the mind works." If computation does not provide an "explanation" of the human mind, then strong AI has failed, according to Searle.
In the same interview, Glover commented on his attraction to the film and the prospect of playing Tapp in "Saw", stating, "I saw 10-12 minutes of video of the first scene here and I was really impressed with it. I was impressed by the way of the shot, the way the camera moved, and the kind of subtlety and the language of the story. Sometimes you look at a story and you're looking at the language of the story and how does the person use language, you know? and I like all of that how does the director or the filmmaker use language in order to shape or tell the story, and I like that."
Koether’s 2009 show entitled "Lux Exterior" at Reena Spaulings further explored a common thematic in her work, the relation of painting with other aspects of theoretical and counter culture. Koether’s 2009 show was discussed in David Joselit’s essay entitled "Painting Beside Itself". The exhibition, which included a painting entitled "Hot Rod (after Poussin) (2009)" along with sculptural found objects and a series of three performances, was noted by Joselit as a “sophisticated response to the question which I began [this essay]: How does a painting belong to a network?”
Mr. McClure tried three men on this disagreeable task, but none of them did it very well, so a month ago it was thrust upon me. You may imagine me wandering around the country grubbing among newspaper files and court records for the next five months. It is the most laborious and sordid work I have ever come upon, and it takes every hour of my time and as much vitality as I can put into it. ... You can't know, never having done it, how such work does sap your poor brain and wring it dry of anything you'd like to pretend was there. I jump about like a squirrel in a cage and wonder how I got here and why I am doing it. I never in my life wanted to do this sort of thing. I have a clean conscience on that score. Then why am I hammering away at it, I'd like to know? I often wonder whether I shall ever write another line of anything I care to.
Kaitlin Thomas from TV.com has also given the episode a positive review, saying, "'How Your Mother Met Me' was a great 200th episode for How I Met Your Mother. It was something different, but it was also a long time coming. It fleshed out a character we've been hearing about for nearly nine years but still didn't really know, and it was one of those patented emotional episodes the series does so well that sometimes I wonder why it even bothers with pure comedy. How I Met Your Mother could easily be a successful 30-minute dramedy if it wanted to be, and I maintain that it's at its best when it's doing these kinds of emotional stories. I didn't expect the Mother to have loved and lost at such a young age, but it worked for the show and for her character, and it added a nice bit of depth to the woman Ted will soon love, and that we already do."
"I am part of a generation of artists who lost their childhood to the Chinese Cultural Revolution, who experienced a world gone mad…Five thousand years of Chinese art and culture tossed in the garbage heap. From this, a generation of survivors – and of fighters – my generation – was born. But from this, how does one make art? How does one deal with memories that burn in the brain, that haunt one’s waking hours, that tattoo images of rage beneath one’s skin? For me, the trauma of my early years has led, not toward social engagement, nor toward abstraction, but toward the unmapped provinces of my own heart. What I have come to understand is that my work is essentially an exploration of the wounded self: How does a fighter dance?" 