Sitting in that very top floor room in the San Francisco Museum of Modern Art, I think I was as transfixed by <PERSON>'s <PERSON> as everyone else was. I watched it three times--once to witness it myself, and the other two times, to immerse myself in the sonic seas and to watch the audience. Coupling sounds and visuals, enveloping you as though in utero, it's an overwhelming 64-minute repetitive sensuous marathon. Tears are often good and cathartic. (January 1, 2018)