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Prompt: Henri Rousseau Orientalist Painting —Brushwork & Paint Application: The entire composition shows vigorous, gestural brushstrokes that remain highly visible throughout. The sky is built up with loose, scumbled strokes of pale turquoise, white, and grey-blue, creating an atmospheric haze. The horse's brown coat displays confident, directional brushstrokes that follow the animal's musculature - you can see individual strokes defining the chest, haunches, and legs. The rider's white robes are rendered with thick impasto highlights where light strikes the fabric, particularly on the shoulders and raised arm. The ground is painted with horizontal, energetic strokes that create a dusty, sandy texture through layers of ochre, sienna, and pale yellow. Light & Shadow Technique: The painting depicts intense, bleaching sunlight from above and behind the figures. This creates dramatic tonal contrasts - notice the deep shadow cast by the horse onto the ground, painted in warm browns and purples rather than cool grays. The backlighting causes the edges of the white garments to glow with touches of pure white and pale yellow impasto. The falcons catch highlights on their wing edges, making them appear to glow against the hazy sky. Color Handling: The palette is dominated by warm earth tones - ochres, siennas, raw umbers - that create a sense of scorching heat. Against this, Rousseau places strategic accents: the crimson and coral of the horse's decorative tack, touches of turquoise in the sky, and the brilliant whites of the clothing. The colors aren't mixed to smoothness but rather laid down in distinct strokes that vibrate against each other.